Frank O’Hara

9 Must-Read Frank O’Hara Poems

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Steps

‘Steps’ by Frank O’Hara is one of the poet’s many pieces that explores life in New York City. It is written in his characteristic style and is filled with allusions that are sometimes hard to interpret. 

This is a truly interesting Frank O'Hara poem but not one often cited as in his top few examples of verse. That being said, readers who know O'Hara's work fairly well will surely recognize the characteristics of his style within the first few lines.

How funny you are today New York

like Ginger Rogers in Swingtime

and St. Bridget’s steeple leaning a little to the left

#2
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Ave Maria

In ‘Ave Maria,’ Frank O’Hara urges mothers to let their children enjoy the guilty pleasures of adolescence. Otherwise, he contends, their kids will become resentful, stunted adults.

This is one of Frank O'Hara's most well-known poems. It has his characteristically subversive wit, and its conclusion is surprisingly poignant, as seen in his best work. It's also a good example of his use of poetic structure, or lack thereof.

Mothers of America

let your kids go to the movies!

get them out of the house so they won’t know what you’re up to

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Homosexuality

‘Homosexuality’ by Frank O’Hara looks at the way the homosexuals were treated in the 1960s, looking at ideas of judgment and acceptance.

This is a deeply personal poem by Frank O'Hara. It looks at his own ideas about acceptance - both from society and from himself. While looking at the way that homosexuals were treated, the poet writes in his usual personal and evocative style. This poem explains the world that the poet lived in and the experiences that he had, while also demonstrating how these experiences made him feel. It works as an example of his style as well as his life.

So we are taking off our masks, are we, and keeping

our mouths shut? as if we'd been pierced by a glance!

The song of an old cow is not more full of judgment

than the vapors which escape one's soul when one is sick;

#4

Easter

‘Easter’ by Frank O’Hara is a surrealistic take on the contrasting elements of life and death, and the images these forces can spawn.

#5

Having a Coke with You

‘Having a Coke with You’ by O’Hara celebrates love’s simple joys over grand art and places, valuing shared moments.

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne

or being sick to my stomach on the Travesera de Gracia in Barcelona

partly because in your orange shirt you look like a better happier St. Sebastian

#6

Meditations in an Emergency

‘Meditations in an Emergency’ appears in the book of poetry by Frank O’Hara, first published in 1957. This bitterly humorous piece deals with the theme of unrequited love.

          Am I to become profligate as if I were a blonde? Or religious as if I were French?

#7

Poem [Lana Turner has collapsed!]

O’Hara’s ‘Poem [Lana Turner has collapsed!]’ humorously intertwines daily life with the drama of Lana Turner’s collapse in his poem.

Lana Turner has collapsed!

I was trotting along and suddenly

it started raining and snowing

and you said it was hailing

#8

The Day Lady Died

Frank O’Hara wrote ‘The Day Lady Died’ in memory of the jazz singer Billie Holiday. She passed away from complications due to liver diseases in July 1959.

It is 12:20 in New York a Friday

three days after Bastille day, yes

it is 1959 and I go get a shoeshine

because I will get off the 4:19 in Easthampton

#9

Why I Am Not a Painter

‘Why I Am Not a Painter’ by Frank O’Hara is a poem inspired by O’Hara’s experience with painters in New York. It details an interaction with Michael Goldberg.

I am not a painter, I am a poet.

Why? I think I would rather be

a painter, but I am not. Well,

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