‘Gone’ by Henrik Ibsen is a sad but moving poem that illustrates the melancholy that arrives after one’s company has departed.
The last, late guest
To the gate we followed;
Goodbye — and the rest
The night-wind swallowed.
‘Wildflowers and Hothouse-plants’ by Henrik Ibsen begins as a defense of an individual’s attraction to another, revealing in the process the beauty standards imposed on women and the splendor of what is arbitrarily deemed ordinary.
"Good Heavens, man, what a freak of taste!
What blindness to form and feature!
The girl's no beauty, and might be placed
As a hoydenish kind of creature."
‘With a Water-lily’ by Henrik Ibsen is a poem that effuses affection and apprehension in equal measure, revealing a subtle but critical truth about the people we choose to love.
See, dear, what thy lover brings;
'Tis the flower with the white wings.
Buoyed upon the quiet stream
In the spring it lay adream.
‘A Brother in Need’ explores betrayal during the Second Schleswig War, urging unity against adversity with a tone of desperation and hope.
NOW, rallying once if ne'er again,
With flag at half-mast flown,
A people in dire need and strain
Mans Tyra's bastion.
‘Mountain Life’ by Henrik Ibsen describes a paradise separate from the outside world and that plays host to isolated, peace loving farmers.
IN summer dusk the valley lies
With far-flung shadow veil;
A cloud-sea laps the precipice
Before the evening gale: