John Agard is a Guyanese poet who now resides in Britain. He was chosen for the Queen’s Gold Medal for Poetry in 2012. Much of his work pertains to the diasporic experience, racism and the legacy of colonialism. His collections include Shoot Me With Flowers, Mangoes and Bullets: Selected and New Poems 1972–84, No Hickory, No Dickory, No Dock, and A Stone’s Throw from Embankment: The South Bank Collection.
‘Checking Out Me History’ confronts colonial education, celebrating unsung heroes of black history through vibrant dialect.
Dem tell me
Dem tell me
Wha dem want to tell me
John Agard’s ‘Listen Mr. Oxford Don’ subverts traditional ideas about correct usage of the English language, immigration and cultural heritage.
Me not no Oxford don
me a simple immigrant
from Clapham Common
I didn’t graduate
John Agard’s poem ‘Half-caste’ is a poem that is, in a majority, filled with the speaker responding to being called half-caste.
Excuse me
Standing on one leg
I'm half-caste
Explain yuself
‘Flag’ explores the deep symbolism of national flags, revealing how a simple cloth can evoke pride, nostalgia, and even conflict.
What’s that fluttering in a breeze?
Its just a piece of cloth
that brings a nation to its knees.
‘The Clown’s Wife’ by John Agard explores the theme of duality through a wife speaking about her clown husband and herself.
About my husband, the clown,
What could I say?
‘The Soldiers Came’ captures the haunting aftermath of war, using stark imagery and deep emotion to craft a powerful, relatable piece.
The soldiers came
and dropped their bombs.
The soldiers didn't take long
to bring the forest down.