14 Must-Read Poems about Apocalypse

Poetic explorations of the apocalypse are incredibly varied. But, each suggests that the world will at some point end, and usually in a spectacular and catastrophically terrifying way.

Unstoppable destructive winds, raging fires, all-consuming floods, and overwhelming darkness that sweep the world are all ways poets have envisioned the end of the world throughout time.

Depictions of the apocalypse are found in all cultures and all continents. They vary according to religious beliefs and what the contemporary moment suggests. For example, poetic renderings of a nuclear apocalypse in the 1960s during the Cold War and climate disasters (including fires and floods) in the early 2000s due to polar ice melting and uncontrollable forest fires.

Religion is not required to appreciate these evocative portrayals of the end of the world, and it’s hard to avoid feelings of fear, despair, and helplessness while reading about the creative ways poets see the planet, or just humanity, shuddering to a close.

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The Second Coming

by William Butler Yeats

William Butler Yeats’s ‘The Second Coming’ delves into the hopeless atmosphere of post-World War I Europe through apocalyptic imagery.

‘The Second Coming’ is an iconic apocalyptic poem. The world is on the brink of collapse, with Yeats predicting chaos and destruction through the image of a “rough beast” slouching towards Bethlehem. The poem encapsulates the fear of an approaching end, aligning with biblical prophecies of doom and societal breakdown.

That twenty centuries of stony sleep

Were vexed to nightmare by a rocking cradle,   

And what rough beast, its hour come round at last,   

Slouches towards Bethlehem to be born?

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what if a much of a which of a wind

by E.E. Cummings

Cummings’ ‘what if a much of a which of a wind’ presents different fragmented apocalyptic visions in an experimental language.

The poem's mysterious dark forces whose '(blow life to isn't: blow death to was)' and the 'doom of a dream' that 'bites this universe in two' create a haunting catastrophic picture of a world where 'skies are hanged and oceans drowned.' The wind 'bloodies with dizzying leaves the sun / and yanks immortal stars awry?.' The ravaging violence of this apocalyptic scene is evident as the 'screaming hills with sleet and snow: / strangles valleys by ropes of thing.' Moreover, the last stanza suggests brutal bombing, likely nuclear, as the dark forces unleash, peel out of their grave, and bite the universe into two, sprinkling all the pieces that include you and me all over where nothing is left.

what if a much of a which of a wind

gives the truth to summer’s lie;

bloodies with dizzying leaves the sun

and yanks immortal stars awry?

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A Song on the End of the World

by Czeslaw Milosz

‘A Song on the End of the World’ by Czeslaw Milosz is an impactful poem that takes a paradoxical view of the apocalypse as a means of underscoring the surreality of facing cataclysm.

The apocalypse of Milosz's poem is defined by its differences from popular visions of the end of the world, be they the ones found in religious texts like the bible or poetry. The main difference is the anticlimactic nature of the poet's description of the end of times, which serves to accentuate the terrible perpetuity of the war.

On the day the world ends

A bee circles a clover,

A fisherman mends a glimmering net.

Happy porpoises jump in the sea,

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The Powwow at the End of the World

by Sherman Alexie

‘The Powwow at the End of the World’ by Sherman Alexie is a stunning poem that reveals the apocalyptic price of an indigenous person’s forgiveness.

Sherman Alexie's poem gives a powerful vision of an apocalypse initiated by a Native woman, one that's designed to topple symbols of oppression like dams and restore nature. With the poem entwining the end of one world with the renewal of another.

I am told by many of you that I must forgive and so I shall   

after an Indian woman puts her shoulder to the Grand Coulee Dam   

and topples it. I am told by many of you that I must forgive   

and so I shall after the floodwaters burst each successive dam   

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Darkness

by Lord Byron

‘Darkness’ by Lord Byron is a foreboding poem that predicts haunting consequences for humanity in the rapidly changing modern world.

Byron's vision of apocalypse in 'Darkness' is strikingly cosmic in scale, triggered by the extinction of the sun. This celestial catastrophe serves as a metaphor for humanity's powerlessness against forces beyond its control. The gradual unraveling of civilization and nature paints a bleak picture of inevitable doom, challenging notions of human significance in the universe.

I had a dream, which was not all a dream.

The bright sun was extinguish'd, and the stars

Did wander darkling in the eternal space,

Rayless, and pathless, and the icy earth

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Fire and Ice

by Robert Frost

‘Fire and Ice’ by Robert Frost explores a universal interest in the apocalypse. It has always been a phenomenon capable of capturing people’s minds.

In the poem, the apocalypse is dealt with in the aspect of HOW the end of the world is going to be. Thus, by presenting fire and ice as two possible destructive forces, Frost uses the imagery of the apocalypse to symbolically show the possibility of wiping the face of the earth with human emotions. This theme compliments the poem’s contemplation of the destruction of desire and hate.

Some say the world will end in fire;

Some say in ice.

From what I've tasted of desire

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They Feed They Lion

by Philip Levine

‘They Feed They Lion’ by Philip Levine is a powerful poem that visualizes a scene of apocalyptic proportions. It was inspired by the aftermath of the 1967 Detroit riots.

The poem’s vision of the apocalypse is both inspiring and devastating. Although it doesn’t directly refer to the events that occur as world-ending, it’s clear, via biblical allusions and imagery, that something is coming to an end. If not the entire world, then at least the parts of it that made such oppression possible.

Out of burlap sacks, out of bearing butter,

Out of black bean and wet slate bread,

Out of the acids of rage, the candor of tar,

Out of creosote, gasoline, drive shafts, wooden dollies,

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Consider This And In Our Time

by W.H. Auden

Auden’s ‘Consider This and in Our Time’ captures a society poised on the brink, blending serene imagery with ominous undertones of political upheaval.

The poem evokes an apocalyptic sense of impending collapse, both societal and personal. The imagery of “rumors” spreading and people scattering “like torn up paper” reflects the unraveling of order and the inevitability of chaos. Auden paints a world on the brink, where destruction seems imminent, driven by forces too powerful to contain or fully understand.

As the hawk sees it or the helmeted airman:

The clouds rift suddenly - look there

At cigarette-end smouldering on a border

At the first garden party of the year.

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Love is Enough

by William Morris

This poem is a small but perfectly formed beauty. William compares love itself to nature in a lilting poem with a tight rhyme scheme that can’t help but inspire the reader’s inner cupid.

This poem describes a doomsday scenario by illustrating the state of the world. The description of the dark sky, the shadowy hills, and the sea that is never fully illuminated gives the feeling that the world is coming to an end. Thus, the apocalyptic setting of the film accentuates the idea of eternal love in the context of the general worldwide degradation.

Love is enough: though the World be a-waning,

And the woods have no voice but the voice of complaining,

Though the sky be too dark for dim eyes to discover

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Waking in Winter

by Sylvia Plath

‘Waking in Winter’ by Sylvia Plath tells the story of hotel residents. They’re living different lives but are unified through their hopelessness.

The world of Plath's poem is one of suffering and decay, suggesting that the apocalypse is already underway. The connection to this topic is further strengthened by the destructive images in the speaker's troubling dreams.

I can taste the tin of the sky — the real tin thing.

Winter dawn is the color of metal,

The trees stiffen into place like burnt nerves.

All night I have dreamed of destruction, annihilations —

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Alarum

by Amanda Gorman

‘Alarum’ by Amanda Gorman speaks about extinction and the climate crisis, alluding to the fate of humankind if nothing changes. 

The poet alludes to her belief that the future of humanity is at risk unless radical action is taken to fight climate change. She suggests that an apocalyptic changed to the Earth's climate is around the corner.

We're writing as the daughter of a / dying world / as

its new-faced alert. / In math, the slash / also called

the solidus / means division, divided by. / We were

divided / from each other, person / person. / Some

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We Live to Kill and Kill to Live

by Gabriel Okara

‘We Live to Kill and Kill to Live’ by Gabriel Okara is a poem that looks at humanities intrinsic relationship with war.

This poem suggests a possible apocalypse—that as humanity gets better at warfare and invents new ways to engage in it, it is possible that it will lead to extinction for the human race.

Hiroshima, Nagasaki-bombs

Holocaust, Germany

Genocide, Bosnia Herzegovina, nuclear bombs!

Rwanda, Burundi, Genocide, fragmentation bombs.

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Caliban upon Setebos

by Robert Browning

‘Caliban upon Setebos’ by Robert Browning delves into Caliban’s contemplation of God’s power, nature, and his place in the universe.

This poem subtly touches on apocalyptic themes through descriptions of destructive forces like hurricanes and invading fires. The poem hints at the potential for catastrophic events, reflecting on the vulnerability of the characters and the precariousness of their existence in the face of natural elements that evoke a sense of impending doom and chaos.

'Will sprawl, now that the heat of day is best,

Flat on his belly in the pit's much mire,

With elbows wide, fists clenched to prop his chin,

And, while he kicks both feet in the cool slush,

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The Bard: A Pindaric Ode

by Thomas Gray

‘The Bard: A Pindaric Ode’ written by Thomas Gray, depicts the ruthless torment unleashed upon poets by the tyrant King Edward I.

While the theme of apocalypse is not prominent in 'The Bard: A Pindaric Ode' by Thomas Gray, there are a few references to it in the poem. One of the most significant references to apocalypse in the poem occurs in the final stanza, where the bard's curse is described as a "tale of Troy divine," which will "raise from the dust each ancient hero's urn" and "bid his injured shades rejoice, / And soar on wings of fire to Heav'n."

"Ruin seize thee, ruthless King!

Confusion on thy banners wait,

Tho' fann'd by Conquest's crimson wing

They mock the air with idle state.

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