Art poems describe the process of creating and the inspiration behind artistic works. Some are examples of an ekphrastic, while others explore art ephemerally, considering symbolic meanings, muses, and modes of creating.
Art poems are not confined to the visual arts, like painting and sculpture. They also delve into the qualities and affective nature of writing, music, and dance. A poet might spend an entire poem considering the creation of poetry or the feelings a particular piece of music evokes.
Art as an integral part of one’s everyday experience is a common theme in these poems. Some poets ask readers to consider what life would be like without art, either the ability to create or appreciate it, suggesting a very dreary world without light and passion.
When a poet writes an art poem, they sit down to accomplish something quite difficult–putting the feeling a piece of art evokes into words. Each conveys individual experiences, but many will tap into a nearly universal expression of emotion and connection over time.
‘Archaic Torso of Apollo’ by Rainer Maria Rilke details the remaining beauty and power of a damage sculpture missing its head and legs.
We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,
‘The Victor Dog’ by James Merrill humorously explores the listener’s perspective, imagining them as the attentive dog on the Victor label.
Bix to Buxtehude to Boulez.
The little white dog on the Victor label
Listens long and hard as he is able.
It’s all in a day’s work, whatever plays.
The ‘Ars Poetica’ is a 476-line didactic epistolary poem by the Roman poet Horace. This humorous, engaging verse teaches the wannabe poet how to write good stories and develop meaningful art.
Either follow tradition, or invent consistently.
If you happen to portray Achilles, honoured,
Pen him as energetic, irascible, ruthless,
Fierce, above the law, never downing weapons.
‘Ode on a Grecian Urn’ by John Keats is an ekphrastic poem that praises the timeless ideals preserved by art, providing a sublime alternative to life’s fleeting impermanence.
Thou still unravish’d bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
‘Csontváry’s Flowers’ is a fascinating insight into one extraordinary artist’s view of the work of another.
The thin ribbon of sky, and thinner still,
blued hints of the easterly Carpathians
then down into the whole arboretum of blue-greens and greens
closing in around the valley town of Selmecbánya
‘Carpet-weavers, Morocco’ is a challenging poem which explores issues such as child labour as well as examining the myriad origins of beauty.
The children are at the loom of another world.
Their braids are oiled and black, their dresses bright.
Their assorted heights would make a melodious chime.
‘The Poet’ by Hermann Hesse uncovers the bittersweet realities of the poet’s purpose and destiny as a visionary for the world and all those in it.
Only on me, the lonely one,
The unending stars of the night shine,
The stone fountain whispers its magic song,
To me alone, to me the lonely one
Tennyson’s ‘The Lady of Shalott’ narrates the tale of the cursed Lady entrapped in a tower on the island of Shalott, who meets a tragic end.
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
‘Sonnet 107’ by William Shakespeare addresses how the speaker and the Fair Youth are going to be memorialized and outsmart death through the “poor rhyme” of poetry.
Not mine own fears, nor the prophetic soul
Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Supposed as forfeit to a confined doom.
‘The Past Values’ provides a critical commentary on society’s dissonance of certain events and urges readers to abhor war’s consequences.
Alas for the sad standards
In the eyes of the old masters
Sprouting through glaze of their pictures!
‘How to Eat a Poem’ by Eve Merriam uses eating fruit as a metaphor for reading poetry to encourage readers to enjoy poetry.
Don't be polite.
Bite in.
Pick it up with your fingers and lick the juice that
may run down your chin.
‘Pictor Ignotus’ is a poem about an artist who chooses obscurity over fame, painting religious works in solitude rather than seeking public acclaim.
I could have painted pictures like that youth’s
Ye praise so. How my soul springs up! No bar
Stayed me–ah, thought which saddens while it soothes!
–Never did fate forbid me, star by star,
‘Sonnet 55’ ‘Not marble nor the gilded monuments’ delves into poetry’s immortality and seeks to immortalize the addressee’s memories.
Not marble, nor the gilded monuments
Of princes, shall outlive this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time.
‘Songs for the People’ is a poem that espouses a hopeful belief in music’s ability to bring peace both to individuals and the world around them.
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
‘Ode on a Grayson Perry Urn’ by Turnbull echoes Keats, using a modern urn to explore youth’s timeless joy and rebellion.
Hello! What's all this here? A kitschy vase
some Shirley Temple manqué has knocked out
delineating tales of kids in cars
on crap estates, the Burberry clad louts