Beautiful women are one of the most popular topics in poetry. There are depictions of a woman’s beauty in every genre and style of poetry, dating back hundreds of years and dotted throughout movements of all varieties.
Women have served as an inspiration to both male and female poets throughout time. It is, in fact, hard to find a poet who has not at some point dedicated at least one poem to a beautiful woman.
Often, these poems praise a woman’s features, using metaphors and similes to describe her skin, hair, eyes, body, and movements. Some place women on an impossible-to-attain pedestal, while others ground their images in reality, focusing on an individual’s strength and kindness and how that’s reflected in their appearance.
It’s impossible to explore poems about beautiful women without acknowledging how many poets have depicted women as objects throughout time. That is, objects to be admired, adored, and used as inspiration in their verse. But, even though contemporary views on women’s rights and equality have changed, these poems can still be appreciated for their lyrical skill and creativity.
Christina Rossetti’s ‘Goblin Market,’ narrates the fantastical tale of Laura and Lizzie, delving into sin, redemption, and sisterhood.
Morning and evening
Maids heard the goblins cry:
“Come buy our orchard fruits,
Come buy, come buy:
‘La Belle Dame sans Merci’ by John Keats is an intriguing narrative that explores death, decay, and love with a supernatural aura.
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
Tennyson’s ‘The Lady of Shalott’ narrates the tale of the cursed Lady entrapped in a tower on the island of Shalott, who meets a tragic end.
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
In Olga Broumas’s ‘Calypso,’ the speaker conjures up a dreamy world, imagining sensual women to fulfill her sexual desires.
I’ve gathered the women like talismans, one
by one. They first came for tarot card
gossip, mystified
by my hands, by offers
‘She Walks in Beauty’ by Lord Byron glorifies the atypical beauty of a woman whom the speaker lovingly adores.
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
‘To—’ explores how an idealized view of love can delude one into believing they are both inadequate and destined to find romance.
Had I a man’s fair form, then might my sighs
Be echoed swiftly through that ivory shell
Thine ear, and find thy gentle heart; so well
Would passion arm me for the enterprise;
‘Sonnet 131,’ also known as ‘Thou art as tyrannous, so as thou art,’ is a poem about how the Dark Lady’s beauty moves the speaker. He knows she’s untraditionally beautiful but he doesn’t care!
Thou art as tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Sonnet 130, ‘My mistress’ eyes are nothing like the sun,’ satirizes and subverts traditional love poetry, presenting a new perspective.
My mistress' eyes are nothing like the sun;
Coral is far more red, than her lips red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
‘Between the Breasts’ is a celebration of sensuality, desire, and the uninhibited pursuit of pleasure, using unconventional language and vivid imagery to evoke intense emotions and challenge traditional poetic norms.
between the breasts
of bestial
‘Women and Roses’ by Robert Browning conveys a man’s perspective on women throughout time. They are represented by three apples on his metaphorical apple tree.
I dream of a red-rose tree.
And which of its roses three
Is the dearest rose to me?
‘For Anne Gregory’ is a gentle dialogue between Yeats and the youthful Anne about the realities of beauty and companionship.
“Never shall a young man,
Thrown into despair
By those great honey-coloured
Ramparts at your ear,
‘Farewell to Love’ by John Donne is a classic piece by the Metaphysical poet that demonstrates his skill with intellectual arguments mixed with intense passion.
Whilst yet to prove
I thought there was some deity in love,
So did I reverence, and gave
Worship ; as atheists at their dying hour
‘Palanquin Bearers’ is a celebratory poem in which a bride is transported to her new husband’s house in a traditional palanquin. The men carrying her sing in joy and help create the mood of celebration that runs through the poem.
Lightly, O lightly we bear her along,
She sways like a flower in the wind of our song;
She skims like a bird on the foam of a stream,
She floats like a laugh from the lips of a dream.
‘Upon Julia’s Face’ by Robert Herrick is beautiful poem that tries to capture the speaker’s adoration for the voice of a woman they love and admire.
So smooth, so sweet, so silv'ry is thy voice
As, could they hear, the damn'd would make no noise,
But listen to thee, walking in thy chamber,
Melting melodious words to lutes of amber.
‘Porphyria’s Lover,’ opens up with a classic setting of a stormy evening. It is a story of a deranged and lovesick man.
The rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake: