Poems about corruption delve into the dark underbelly of human society, shedding light on the moral decay and abuse of power that afflict individuals, institutions, and systems.
These poems explore the insidious nature of corruption, exposing its detrimental effects on justice, equality, and social harmony. They often depict the erosion of trust, the perversion of values, and the manipulation of truth that accompanies corrupt practices.
Auden’s ‘Consider This and in Our Time’ captures a society poised on the brink, blending serene imagery with ominous undertones of political upheaval.
Auden captures corruption as a force that eats away at societal foundations. Images like “infected sinus” and “brutal farmers” convey how decay infiltrates both individuals and institutions. The antagonist mobilizes these corrupted forces, using them to further disrupt an already fragile world, painting a grim picture of humanity’s vulnerability to moral and structural collapse.
‘Cahoots’ by Carl Sandburg delves into the dark underbelly of a corrupt city, exposing the collusion and exploitation that thrive within its power structures.
This poem addresses the topic of corruption by illustrating a world where dishonesty and illicit activities prevail. The poem portrays a network of individuals involved in various criminal acts, suggesting a pervasive culture of corruption. The speaker contemplates stealing and manipulating the system for personal gain, highlighting the moral decay and unethical behavior that exist within society.
In Sheenagh Pugh’s ‘Sweet 18’, an older woman expresses her desire to regain youth as she battles the temptation to take it from others.
This poem largely focuses on the corruption that is earned with age from the speaker's perspective. She associates aging with the loss of innocence and the corruption of purity. As a result, she initially feels inclined to protect the corruption of a young man. However, as an older woman herself, she is already corrupt. As such, she cannot resist the urge to corrupt the young man and try to take his youth for herself in an attempt to reclaim her own purity. This poem shows how the corruption feared by the speaker is an inevitable consequence of age.
You move before me with all the unknown ease
of your age; your face clear of the awareness
that clouds mine. Your only scars; where you tried
‘A Castle-Builder’s World’ by Christina Rossetti describes an empty and inauthentic world. It serves as a warning against spiritual emptiness.
The idea that the world is filled with masks and devoid of souls suggests a form of moral or spiritual corruption. The people in this world have departed, in an important way, from authentic living. Their lives, goals, dreams, and humanity have all been corrupted. It's implied that some form of materialism is to blame for this.
‘The Dreamer’ by Gabriel Okara reflects a nation’s fight against corruption and hardship, showing the strength, unity, and hope of its people for a brighter future.
The poem makes it clear how much damage corruption does to society. Leaders focus on their own wealth and power while ignoring the needs of the people. Words like "masked greed" show how dishonesty has taken over everything. It’s not just about bad leadership; it’s about how this corruption destroys trust, hope, and progress, leaving the country in a state of chaos and people feeling abandoned and betrayed.
He was seeking good in our collective good
As he stood aside, not apart, watching
Helpless stream of mankind passing slowly by;
Cheerless mankind with dying hopes of flickering flames
‘Contractors’ by Gabriel Okara is a poem that explores the ideas of corruption within large organisations, suggesting that everyone is trying to find profit for themselves.
Corruption is the central topic of this poem. Okara explains the way in which people who are attempting to get more power and influence try their best to ingratiate themselves with the people in power so that they can gain the things that they want. The poet shows that this is not done in an honest way, and that there is no altruism in the way in which the people behave.
‘Woodchucks’ by Maxine Kumin is a metaphorical poem which uses the conceit of a farmer hunting woodchucks to uncover the murderous tendencies only a position of power can reveal in humans.
This poem figuratively reminds readers how easy it is for humanity to be tainted. All one needs is a position of power, and in due time, while pushing the right buttons, their murderous tendencies will eventually show. Kumin indirectly renders this as the probable reason for the Nazi rhetoric and the Holocaust that followed.
The food from our mouths, I said, righteously thrilling
Adcock’s ‘The Telephone Call’ humorously navigates the illusion of luck, emphasizing life’s experiences over material wealth.
The fraudulent aspects of the lottery scheme fight against corruption. Through this poem, we see the mechanisms of these scams and uncover the dishonesty that takes advantage of people’s dreams of financial success. Adcock depicts the scheme as a trick and reveals how repulsive consumer promises are along with the sneaky methods people use to obtain their desires.
‘Prayer Before Birth’ by Louis MacNeice was written during the terror struck days of World War II. It places the realities of an evil world into the mouth of an unborn baby.
In the poem's narrative on corruption, readers see how societal factors contribute to the erosion of morals. Anxiety about 'wise lies' and degrading forces indicates a life under threat from manipulation and brutal acts. Thus, this work on corruption functions as an analysis of social paradigms that erode personal ethical standards and as a depiction of the ubiquity of evil in human experience.
I am not yet born; O hear me.
Let not the bloodsucking bat or the rat or the stoat or the
In ‘Lycidas,’ Milton employs the pastoral elegy to memorialize the death of his friend, Edward King. As he transforms King’s life into an allegory, Milton interrogates Christian ideology and the form of epic poetry.
This poem contains a scathing passage on corruption in the church. Through the voice of Saint Peter, Milton criticizes how the Church of England has become more preoccupied with ceremony than saving its worshipers' souls.
‘Mass Transit Buses’ by Gabriel Okara is a short poem that uses the example of a mass transit system to show how promises by politicians are rarely kept and how corruption derails plans.
Corruption is an important topic in this poem. The poet looks at the way that politicians often lie and fail to deliver on the things which they promise. The poet shows the way that this kind of corruption can affect the regular members of society.
Carol Ann Duffy’s ‘Money Talks’ gives money a bold and unapologetic voice, revealing how deeply it shapes people’s lives, decisions, and beliefs.
The way money talks in the poem makes you see how it changes people. It knows people will trade anything for it, even their values or honesty. It proudly admits it smells and piles up like something rotten, but still expects love and attention. This shows how easy it is for people to ignore the bad parts of money just to keep it close. That slow loss of what is right feels like a quiet kind of corruption.
I am the authentic language of suffering. My cold, gold eye
does not blink. Mister, you want nice time? No problem.
I say, Screw You. I buy and sell the world. I got
Midas touch, turn bread to hard cash. My million tills
‘To a Millionaire’ by A. R. D. Fairburn critiques opulence, unraveling hidden guilt, moral decay, and inevitable downfall through vivid metaphors and striking imagery.
This poem delves into the topic of corruption, unraveling the societal decay concealed beneath opulence. Vivid metaphors, like woven curtains of blood and buried bones, expose the moral consequences. A. R. D. Fairburn navigates the corrosive impact of unchecked wealth, painting a stark picture of corruption and exploitation, urging reflection on its pervasive societal ramifications.
Lord of our world, take off your velvet
mask. Remove your gentle glove, disclose
the claw-like hand, the dried blood under the nails,
‘Welcome Home’ by Gabriel Okara sees the poet telling Africans returning home that their idealised idea of the “Fatherland” might not be as true to life as they hope.
At the heart of Okara's warning in this poem is the corruption that he thinks has taken over Africa. Okara warns the people outside of Africa that things are not quite what they think they will be, and that people have to be careful of the corruption that he thinks has become such a large part of life there. Okara believes that it can even be dangerous enough that it could lead to a loss of life.
‘Translating the English, 1989’ is a bold and satirical poem that unpacks how English identity is marketed through clichés, contradictions, and surface-level pride, revealing the deeper problems hidden underneath.
There is a quiet sense of corruption running through the poem. It is not shouted, but you feel it in lines about nods, winks, and no questions asked. Everything feels like a deal or a cover-up. Duffy does not need to name the wrongdoings—they are just slipped into the background like they are normal. That is what makes it feel so real, like this is a place where things happen under the table and people have learned to look the other way.
Welcome to my country! We have here Edwina Currie
and The Sun newspaper. Much excitement.
Also the weather has been most improving
even in February. Daffodils. (Wordsworth. Up North.) If you like
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