Poems about fish dive into the enchanting world beneath the waves, capturing the grace, mystery, and vibrancy of these creatures. These poems paint vivid portraits of fish—swimming through the currents, their scales shimmering like gems, and their movements choreographed with elegance.
They capture the tranquility of underwater landscapes and the sense of awe that comes from witnessing the wonders of marine ecosystems.
With evocative language and captivating descriptions, these poems evoke the sensations of being surrounded by the gentle embrace of water, the glistening sunlight filtering through the depths, and the ethereal beauty that unfolds beneath the surface.
‘The Fish’ by Elizabeth Bishop is considered to be one of her best poems. In it, readers can find some clues about her personal life.
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
‘Brilliance’ by Mark Doty describes a dying man who wants to control his own life. He eventually opens himself up to new experiences.
Maggie’s taking care of a man
who’s dying; he’s attended to everything,
said goodbye to his parents,
‘Kamikaze’ by Garland delves into a pilot’s conflict between duty and life, exploring the harsh societal aftermath of his choice.
Her father embarked at sunrise
with a flask of water, a samurai sword
in the cockpit, a shaven head
full of powerful incantations
‘Invisible Fish’ by Joy Harjo is a beautiful poem that illustrates time’s oppressive persistence on both the natural world and humankind.
Invisible fish swim this ghost ocean now described by waves of sand, by water-worn rock. Soon the fish will learn to walk.
Alice Oswald’s ‘Eel Tail’ explores nature’s elusiveness and mysteries through the enigmatic movements of eels that defy human understanding.
sometimes you see mudfish,
those short lead lengths of eels
that high at low tide
those roping and wagging,
Through vivid detail and contemplation, ‘At the Fishhouses’ by Bishop explores the intricate bond between humans and nature.
Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
‘Lampfall’ by Derek Walcott dives deep into an investigation of thought, dreaming, community and connection while also implying that nature and thought are more meaningful than development.
Closest at lampfall
Like children, like the moth-flame metaphor,
The Coleman's humming jet at the sea's edge
‘The Bait’ by John Donne describes a speaker’s love and admiration for a woman. He emphasizes what her beauty and goodness are capable of.
Come live with me, and be my love,
And we will some new pleasures prove
Of golden sands, and crystal brooks,
With silken lines, and silver hooks.
‘The Fish’ by Marianne Moore uses imagery and form to objectively describe nature and humanity’s ability to survive and mature in the face of death, destruction, and loss.
wade
through black jade.
Of the crow-blue mussel-shells, one keeps
adjusting the ash-heaps;
opening and shutting itself like
‘Introit’ by Gabriel Okara is the first poem in his “The Fisherman’s Invocation” series about the conflict between modernity and tradition.
Cast your net to the rightside
Nothing?
Nothing