Forbidden Love

15+ Intense Forbidden Love Poems

(15 to start, 30+ to explore)

Poems that embrace forbidden love explore the power of love that transgresses societal boundaries and norms. They dive into the realm of intense passion that defies all confines. These verses intricately navigate a spectrum of emotions, from yearning, desire, fear, sadness, and courage to consuming passion, illuminating the bittersweet nature of clandestine romance.

Venturing into the world of forbidden love, these poems unravel the exhilarating thrill of escapade it entails. They show genuine love in its depth, transcending all barriers—be it societal class, familial discord, or conventional gender norms while delving into the intricacies of spiritual connection as lovers transcend limitations of even mortality.

Within these evocative poems lies a portrayal of the timeless and universal human condition as readers are stirred by the interplay between the heart’s desires and the ethical dilemmas it confronts. These poems tenderly touch upon the essence of forbidden love, inviting readers to ponder the complexities of love’s pursuit amidst societal constraints and taboos.

The Eve of St. Agnes

by John Keats

In ‘The Eve of St. Agnes,’ John Keats celebrates an idealized love between two lovers while integrating folk beliefs in the poem.

This poem tells the story of the forbidden love between Madeline and Porphyro, whose families are sworn enemies. On the eve, Porphyro's ardor leads him to trespass into Madeline's castle, risking his life while Madeline follows the St. Agnes ritual, hoping to glimpse her true love in her dreams. Porphyro sneaks into her room and appears as her true love, turning her dream into a tangible reality and blurring the lines between the dream and the real. Eventually, they elope, defying their families' restrictions and hostility as the poem captures the thrill and fervor of forbidden passion.

St. Agnes' Eve—Ah, bitter chill it was!

The owl, for all his feathers, was a-cold;

The hare limp'd trembling through the frozen grass,

And silent was the flock in woolly fold:

Confessions

by Robert Browning

Robert Browning’s ‘Confessions’ is written in the confessional mode and is about the speaker’s romantic and secretive meetings with a girl.

The speaker, while on his deathbed, confesses to a priest about a secret romantic affair he had in his youth. The love between the girl and the speaker was forbidden due to societal norms and class differences. He says the family could never catch him and the girl, as she used to sneak out of the house to meet him. The love in this poem transcends the norms of class and morality. Moreover, defying societal norms, the speaker attributes his love to a higher position by telling the priest that the world is not sorrowful for him because he has experienced profound love.

What is he buzzing in my ears?

"Now that I come to die,

Do I view the world as a vale of tears?"

Ah, reverend sir, not I!

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Romeo and Juliet Act II Prologue

by William Shakespeare

The ‘Act 2 Prologue’ of Romeo and Juliet uses the chorus to set the stage for the tragic play’s central conflict and passion.

Romeo and Juliet exist as the very embodiment of this idea of forbidden love. Shakespeare's diction throughout the sonnet reminds the reader that the pair have been raised to despise and fear the other. Romeo's new lover is described as his "foe" whom he must "complain" about; likewise, Juliet envisions him with "fearful hooks" clutching "love's sweet bait." This reality presents logistical obstacles as well: their feud means he cannot "breathe...vows as lovers use to swear," nor can she hope to meet him in public.

Now old desire doth in his death-bed lie,

And young affection gapes to be his heir;

That fair for which love groaned for and would die,

With tender Juliet matched is now not fair.

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Twenty-One Love Poems XIII

by Adrienne Rich

‘Twenty-One Love Poems XIII’ by Adrienne Rich is a poem about same-sex relationships and how couples experience a new, uncharted love.

This poem celebrates the same-sex love forbidden by society. The two lovers walk away from the path or 'out-of-date maps' predetermined by societal norms. They are in a different world without laws, predefined rules, or expectations, where inventing their version of pure love is possible. The imagery of the desert conveys the challenges and adventure of following unconventional ways and breaking societal taboos. The opening metaphor of rules breaking like a thermometer and spillage of 'quicksilver' over 'charted systems' sets the tone for rebellion against the orthodox norms of the society.

The rules break like a thermometer,

quicksilver spills across the charted systems,

we’re out in a country that has no language

no laws, we’re chasing the raven and the wren

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Annabel Lee

by Edgar Allan Poe

‘Annabel Lee’ by Edgar Allan Poe is a lyrical narrative ballad about a man haunted by his lost lover, Annabel Lee.

Despite impediments caused by the angles and even the interference of death itself, the love between Annabel and the speaker persists. Their love was so intense and unique that angels envied and forbade it. They killed Annabel by a mysterious wind, and her kinsmen took her away in a tomb. However, their love transcends death as the speaker declares that neither angles nor the demons under the sea can sever their souls' connection. The speaker finds solace beside Annabel each night, feeling her presence as the stars illuminate the sky.

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

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The Lady of Shalott

by Alfred Lord Tennyson

Tennyson’s ‘The Lady of Shalott’ narrates the tale of the cursed Lady entrapped in a tower on the island of Shalott, who meets a tragic end.

'The Lady of Shallot' was entrapped in a tower, and a curse forbade her from transgressing it or even looking out of the window. She was only allowed to look at the town of Camelot from a mirror and weave a web day and night. However, when she saw the reflection of Sir Lancelot in the mirror, consumed by passion, she looked out of the window. She transgressed the tower, eventually bearing the consequences of her disobedience. Sir Lancelot saw only her corpse, thinking she was pretty as the waves brought her boat to the town.

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro' the field the road runs by

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A Careful Passion

by Derek Walcott

‘A Careful Passion’ depicts a farewell between lovers at a seaside café, where they face the reality of losing the love they once shared.

This poem explores the emotional chaos of a failing relationship between a man and a married woman. The limitations and secrecy surrounding their love add to the speaker's feelings of sadness, longing, and frustration. There is a complexity of their situation that intensifies the inner struggle in the poem.

The Cruise Inn, at the city’s edge,

Extends a breezy prospect of the sea

From tables fixed like islands near a hedge

Of foam-white flowers, and to deaden thought

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Meeting at Night

by Robert Browning

In Robert Browning’s ‘Meeting at Night,’ the speaker sails across the sea to secretly reunite with his beloved under the moon’s soft glow.

The secrecy surrounding lovers' meeting suggests societal constraints demanding the need to conceal their affection. Set in the Victorian era, where strict moral codes often dictated romantic relationships, lovers face the challenge of navigating societal or familial disapproval. Browning's own courtship with Elizabeth Barrett, marked by her father's disapproval, mirrors the poem's forbidden love. The poem's clandestine affair embodies the passionate defiance of societal norms, presenting the thrill, excitement, and allure of forbidden love.

The gray sea and the long black land;

And the yellow half-moon large and low:

And the startled little waves that leap

In fiery ringlets from their sleep,

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Warming Her Pearls

by Carol Ann Duffy

Duffy’s ‘Warming Her Pearls’ explores the restrained lesbian desire of a maid for her mistress through the pearls of the mistress’s necklace.

The poem's setting alludes to the Victorian era when same-sex relationships were unacceptable, considered a diversion and an illness, and were even punishable by law. Victorian society was also characterized by strict class division, and social class played a significant role in making any relationships. Thus, the speaker's sexual desires towards her mistress are certainly forbidden not only by class hierarchy but also by the laws and strict moral codes concerning sexuality, as Victorian society was highly heteronormative and class-conscious.

Next to my own skin, her pearls. My mistress

bids me wear them, warm them, until evening

when I'll brush her hair. At six, I place them

round her cool, white throat. All day I think of her,

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The Anactoria Poem

by Sappho

‘The Anactoria Poem’ is a widely read love poem in which Sappho uses the story of Helen of Troy to speak on the nature of beauty. 

There is a degree of conjecture with regard to this topic, because it supposes that the relationship between Sappho and Anactoria was sexual. In many ways, the existence of this poem suggests their love was not forbidden. However, it also links to the love between Helen and Paris, which was forbidden because she was already married and their affair caused the Trojan War.

Some say thronging cavalry, some say foot soldiers,

others call a fleet the most beautiful of

sights the dark earth offers, but I say it's what-

            ever you love best.

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On Her Loving Two Equally

by Aphra Behn

‘On Her Loving Two Equally’ by Aphra Behn is a portrayal of a woman’s heart torn between two lovers, clearly illustrating the agony and indecision that accompany such deep, conflicting emotions.

The speaker's love for two individuals simultaneously can be seen as a form of forbidden love, as it defies conventional monogamous relationships. This idea illustrates the societal boundaries and the personal guilt associated with such unconventional relationships.

How strongly does my Passion flow,

Divided equally ’twixt two?

Damon had ne’er subdued my heart,

Had not Alexis took his part;

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Porphyria’s Lover

by Robert Browning

‘Porphyria’s Lover,’ opens up with a classic setting of a stormy evening. It is a story of a deranged and lovesick man.

Hints throughout suggest their relationship defies social norms, possibly due to class or moral expectations. Porphyria’s arrival from a gathering implies secrecy or shame surrounding their connection. The speaker’s desire to preserve their forbidden moment drives the fatal conclusion.

The rain set early in to-night,

The sullen wind was soon awake,

It tore the elm-tops down for spite,

And did its worst to vex the lake:

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The Expiration

by John Donne

‘The Expiration’ by John Donne captures an incredibly emotional moment between two lovers and the consequences of it.

This poem, capturing the parting of two lovers, is often considered to be connected with Donne's personal life. He was appointed chief secretary to Sir Thomas Egerton and fell in love with his niece Anne More. Anne and Donne secretly married in 1601, as Egerton and Anne's father, George More, forbade their love. After the marriage, Donne was even imprisoned for some time until his marriage was proven valid and the lovers were reunited.

So, so breake off this last lamenting kisse,

Which sucks two soules, and vapours Both away,

Turne thou ghost that way, and let mee turne this,

And let our selves benight our happiest day,

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Sonnet 5

by Philip Sidney

A sonnet where reason slowly gives way to love, ‘Astrophil and Stella: Sonnet 5’ by Sir Philip Sidney captures the quiet struggle between moral understanding and deep emotional longing.

The poem is filled with the quiet ache of loving someone you know you are not supposed to. The speaker cares deeply for Stella, but she is not his. He understands the boundary and still cannot walk away from how he feels. That tension between knowing and feeling creates a love that hurts more because it has no place to grow. It is a soft kind of heartbreak, where silence replaces closeness and longing becomes the only connection.

It is most true, that eyes are formed to serve

The inward light; and that the heavenly part

Ought to be king, from whose rules who do swerve,

Rebels to Nature, strive for their own smart.

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A Light Woman

by Robert Browning

Browning’s ‘A Light Woman’ is a dramatic monologue in which the narrator tells how he disrupts a loving relationship between his friend and his friend’s lover. Through the narrator’s actions, the poem expounds on love and possessiveness.

In the poem, the narrator goes after someone his friend is pursuing. While it is later revealed that he does not do this out of genuine love, or at least more out of possessiveness than love, his actions are still forbidden morality-wise. His friend rightfully points this out: the narrator's loyalty to his friend was more important in the situation.

So far as our story approaches the end,

Which do you pity the most of us three?---

My friend, or the mistress of my friend

With her wanton eyes, or me?

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