Forgiveness, a profound and complex human experience, has been a perennial theme in poetry. Poets deftly navigate the intricacies of forgiveness, employing metaphors and nuanced language to explore the transformative power it holds.
Through their verses, they delve into the internal struggles, the emotional journey, and the cathartic release that forgiveness encompasses. These poems may illuminate the multifaceted dimensions of forgiveness, from the granting of absolution to the healing of personal wounds.
Michael Longley’s ‘Ceasefire’ is a unique and powerful retelling of a classical scene with immense modern significance.
Put in mind of his own father and moved to tears
Achilles took him by the hand and pushed the old king
Gently away, but Priam curled up at his feet and
Wept with him until their sadness filled the building.
‘November’ by William Stafford is a heart-wrenching and important poem that was inspired by the WWII bombing of Hiroshima.
From the sky in the form of snow
comes the great forgiveness.
Rain grown soft, the flakes descend
and rest; they nestle close, each one
‘Batter my heart, three-person’d God’ responds to religious doubt with a passionate surrender to god’s aggressive but ecstatic will.
Batter my heart, three-person'd God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o'erthrow me, and bend
Your force to break, blow, burn, and make me new.
‘Sonnet 110’ or ‘Alas, ’tis true I have gone here and there’ is about the speaker’s realization that he only wants the Fair Youth.
Alas! 'tis true, I have gone here and there,
And made my self a motley to the view,
Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new;
‘My Parents’ by Stephen Spender is a poem based on bullying and the desire to make friends.
My parents kept me from children who were rough
Who threw words like stones and wore torn clothes
Their thighs showed through rags they ran in the street
And climbed cliffs and stripped by the country streams.
‘The Rime of the Ancient Mariner’ by Samuel Taylor Coleridge is a lyrical ballad narrated by an old sailor about a mysterious sea journey.
He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.
In ‘Rabbi Ben Ezra’ by Robert Browning, aging wisdom urges surrender to divine plan, embracing life’s imperfections for spiritual refinement.
Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
‘Have You Earned Your Tomorrow’ by Edgar Guest presents a number of probing questions to a reader about how they spend their days.
Is anybody happier because you passed his way?
Does anyone remember that you spoke to him today?
This day is almost over, and its toiling time is through;
Is there anyone to utter now a kindly word of you?
‘Part II: The Rime of The Ancient Mariner’ sees the Mariner’s regret in killing the albatross, triggering a curse of thirst and stagnation.
The Sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.
Ted Hughes’ ‘The Other’ reflects on his bond with Sylvia Plath, exploring love, guilt, and their connection’s transformative power.
Still she had so much she made you feel
Your vacuum, which nature abhorred,
So you took your fill, for nature's sake.
Because her great luck made you feel unlucky
In ‘All My Pretty Ones,’ Sexton weaves familial history, loss, and forgiveness into vivid tapestries, exploring complexities with haunting imagery and deep emotion.
Father, this year’s jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
‘A Sunday Morning Tragedy’ reveals a tragic attempt to avert shame, ending in the daughter’s death and the mother’s deep remorse.
I bore a daughter flower-fair,
In Pydel Vale, alas for me;
I joyed to mother one so rare,
But dead and gone I now would be.
Carol Ann Duffy’s ‘Words of Absolution’ delves into sin, faith, and moral introspection within Catholicism in a contemplative dialogue.
She clings to life by a rosary,
ninety years old. Who made you?
God made me. Pearl died a bairn
and him blacklisted. Listen
‘Dereliction’ by Chinua Achebe is an ambiguous poem in which three speakers elaborate on the action of, a probable consequence of, and probable pardon for, failing to fulfil one’s duties.
I quit the carved stool
in my father’s hut to the swelling
chant of saber-tooth termites
raising in the pith of its wood
‘The Little Boy Found’ by William Blake portrays divine compassion as God guides and reunites a lost child, offering solace.
The little boy lost in the lonely fen,
Led by the wandering light,
Began to cry, but God, ever nigh,
Appeared like his father, in white.