15+ Intense Poems about Hatred

(15 to start, 20+ to explore)

Poems about hatred delve into the darker aspects of human emotions and explore hatred’s destructive power and consequences.

These poems often examine the causes and manifestations of hatred, such as prejudice, discrimination, or personal grievances. They may depict the intense emotions accompanying hatred, including anger, resentment, and bitterness.

Poems about hatred can also explore its impact on individuals, relationships, and society. Through imagery and poignant language, these poems shed light on the dangers of hatred, the need for empathy and understanding, and the potential for healing and reconciliation. 

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As it Should Be

by Derek Mahon

‘As it Should Be’ is a powerful and telling satirical take on the violence that plagued Northern Ireland for decades.

Hatred drives the poem’s events, with the protagonist acting out of deep-seated animosity. Mahon critiques this hatred, showing how it corrodes individuals and communities, perpetuating endless cycles of violence. The hatred between the different groups in The Troubles was so deep that it took decades to come to trust each other enough to make a lasting peace.

We hunted the mad bastard

Through bog, moorland, rock, to the star-lit west

And gunned him down in a blind yard

Between ten sleeping lorries

And an electricity generator.

#2
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Havisham

by Carol Ann Duffy

‘Havisham’ by Carol Ann Duffy explores the psychological reality of Dickens’ Miss Havisham from a feminist perspective.

The first few lines expressing the speaker's death wish depict her intense hatred for the man who betrayed her, shattered her dreams, and left her on their wedding day to wither in grief for the rest of her life. The ironic lines like 'Beloved sweetheart bastard' depict that her love for him has turned into hatred, implying the underlying hurt and pain that breeds hatred, which in turn harms only the speaker. It fixates all her mental energy and emotions on him and their wedding day as if freezing her mind in that time, while her body decays and she loses her sense of self. Her hateful, disturbing desires, like 'Give me a male corpse for a long, slow honeymoon' and imagery of her eyes and hands, imply her dehumanization and decay as the darkness of hatred stemming from deep anguish consumes her.

Beloved sweetheart bastard. Not a day since then

I haven’t wished him dead. Prayed for it

so hard I’ve dark green pebbles for eyes,

ropes on the back of my hands I could strangle with.

#3
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Those Annual Bills

by Mark Twain

‘Those Annual Bills’ by Mark Twain is a humorously bleak poem that bemoans the insufferable and unsatiated onslaught of bills the speaker is confronted with each year.

Hate is a strong word yet that is exactly how the speaker appears to feel when it comes to their constant bills. Throughout the poem, they express this fury in a variety of ways, using both their diction and hyperbole to articulate their immense disdain for them. While the final stanza humorously reminds the reader that other writers, and perhaps most people, hate them as well.

These annual bills! these annual bills!

How many a song their discord trills

Of "truck" consumed, enjoyed, forgot,

Since I was skinned by last year's lot!

#4
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A Poison Tree

by William Blake

‘A Poison Tree’ presents the consequences of harboring anger, which becomes a poisonous tree wreaking devastation.

Hatred is the poem’s central force, symbolized by the speaker’s nurturing of their wrath into something deadly. The hatred grows stealthily, fed by deceit and avoidance, and culminates in the foe’s demise. Blake uses this topic to emphasize the corrosive impact of suppressed enmity on individuals and relationships alike.

I was angry with my friend; 

I told my wrath, my wrath did end.

I was angry with my foe: 

I told it not, my wrath did grow. 

#5
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The Portrait

by Stanley Kunitz

‘The Portrait’ by Stanley Kunitz is a sad poem about the speaker’s ill-fated attempt to learn more about their deceased father.

The intensity of the mother's anger could be viewed as a deep hatred that's evolved out of the grief she initially felt. This is made all the more clear when she slaps the speaker for bringing out their father's portrait, a cruel act inflicted on her child in place of the father.

My mother never forgave my father

for killing himself,

especially at such an awkward time

and in a public park,

#6
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The Snowman on the Moor

by Sylvia Plath

‘The Snowman on the Moor’ explores the turbulent and abusive relationship between the speaker (presumably Plath herself) and her male spouse.

The speaker of the poem not only clearly hates her abusive partner but also how she feels about herself in relation to him. Logically, she should have been free after defeating the metaphorical Giant, yet she returns to him, having accepted the inevitability of yet another battle.

Stalemated their armies stood, with tottering banners:

She flung from a room

Still ringing with bruit of insults and dishonors

#7
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The Wound

by Ruth Stone

‘The Wound’ by Ruth Stone describes with unflinching detail the harmful ways in which some words can inflict lasting hurt.

It might be too ambiguous to call the emotion behind the words that cause the speaker's wound hateful, but there is evidence that they are spoken to cause intentional harm. Stone's choice of diction and imagery somewhat implies there is some vitriol behind the words themselves. Especially in the way the wound itself is described as this acid that burns them and changes them.

The shock comes slowly

as an afterthought.

First you hear the words

and they are like all other words,

#8
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Porphyria’s Lover

by Robert Browning

‘Porphyria’s Lover,’ opens up with a classic setting of a stormy evening. It is a story of a deranged and lovesick man.

While the speaker’s actions are framed in terms of love, there are undercurrents of resentment toward Porphyria’s independence and perhaps her sexual power. His need to dominate her suggests suppressed anger or hatred masked by his calm tone. This tension complicates the emotional landscape of the poem.

The rain set early in to-night,

The sullen wind was soon awake,

It tore the elm-tops down for spite,

And did its worst to vex the lake:

#9
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A Kind of Love, Some Say

by Maya Angelou

‘A Kind of Love, Some Say’ by Maya Angelou explores the horrors of abusive relationships, highlighting that there is no love in pain.

Hatred is a vital theme throughout this poem which flows both ways. While the abusiver "Lover" the speaker refers to must evidently harbour hatred for their victim. However, it is the transformation of love into hatred which is most important. The speaker notes that their relationship makes them think not of "lost romance", but "hurt". In a way, Angelou encourages the reader to cultivate their own hatred: for abuse and abusers.

Is it true the ribs can tell

The kick of a beast from a

Lover’s fist? The bruised

#10
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& even the black guy’s profile reads ‘sorry, no black guys’

by Danez Smith

‘& even the black guy’s profile reads ‘sorry, no black guys” by Danez Smith explores racial rejection, self-love, and empowerment.

This poem navigates the theme of hatred by portraying the rejection of a black individual, symbolized by the black guy's dating profile. The tulip shedding petals suggests a deep-seated disdain. However, the poem transforms by concluding with affirmations, challenging this hatred and promoting self-love. It subtly addresses the potential for overcoming societal biases and cultivating positive change.

imagine a tulip, upon seeing a garden full of tulips, sheds its petals in disgust, prays some bee will bring its pollen to a rose bush. imagine shadows longing for a room with light in every direction. you look in the mirror & see a man you

#11
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If We Must Die

by Claude McKay

‘If We Must Die’ by Claude McKay powerfully encourages the reader to stand up for and with the Black community. One should show strength in the face of discrimination, he says.

The poem discusses the hatred that the oppressed people will face - what the oppressors will do to them and how they must respond to this hatred. He uses descriptive language to describe the way in which his people will be confronted with hatred - describing their enemies as monsters and a pack of barking dogs.

If we must die—let it not be like hogs

Hunted and penned in an inglorious spot,

While round us bark the mad and hungry dogs,

Making their mock at our accursed lot.

#12
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Part I: The Merchant’s Tale

by Geoffrey Chaucer

‘The Merchant’s Tale’ by Geoffrey Chaucer features January’s quest for a wife and the Merchant’s satirical views on marriage.

The narrator of this poem uses his narrative voice to explain his hatred for marriage and women at length, employing satire in order to do so. He discriminates against women unconditionally, believing that they are all unfaithful, disobedient, and controlling. Even the central character of the poem is not exempt from the Merchant's hatred, as he mocks and condemns him for being in search of a wife.

Whilom ther was dwellynge in Lumbardye

A worthy knyght, that born was of Payve,

In which he lyved in greet prosperitee;

And sixty yeer a wyflees man was hee,

#13
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O Lord, Our Father

by Mark Twain

Written in the form of a prayer, ‘O Lord, Our Father,’ is a poem in which Mark twain takes aim at the horror of war as well as the idea of religion being used to support war. War and religion were two subjects that Twain was a regular critic of and he turns his full anger on them in this poem.

At some points in this poem, the hatred of the person saying the prayer is clear for the reader to see. They fantasize about all of the terrible things that they want to happen to their enemies and how they want this suffering to continue. This contrasts with the love that they have for their troops.

O Lord, our father,

Our young patriots, idols of our hearts,

Go forth to battle - be Thou near them!

With them, in spirit, we also go forth

#14

1861

by Walt Whitman

‘1861’ by Walt Whitman is a moving Civil War poem written from the perspective of a soldier. He details the difficulty of a particular year. 

No dainty rhymes or sentimental love verses for you,

terrible year!

Not you as some pale poetling, seated at a desk, lisp-

ing cadenzas piano;

#15

3 November 1984

by Sujata Bhatt

In ‘3 November 1984,’ Indian-English poet Sujata Bhatt shows how history plays a vital role in the process of writing poetry, and their interconnectedness.

I won’t buy

The New York Times today.

I can’t. I’m sorry.

But when I walk into the bookstore

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