Poems about the Holocaust confront one of the darkest periods in human history, aiming to capture the profound tragedy, suffering, and loss experienced during the systematic persecution and genocide of millions.
These poems bear witness to the horrors of the Holocaust, honoring the memory of its victims and serving as a reminder of the atrocities committed. They may explore themes of resilience, survival, and the indomitable spirit of those who endured unimaginable hardships.
Poems about the Holocaust can be deeply moving, haunting, and evoke a sense of collective responsibility to ensure that such horrors are never repeated.
‘A Poor Christian Looks at the Ghetto’ by Czeslaw Milosz presents a description of the Warsaw Ghetto from the eyes of a “poor Christian.”
Bees build around red liver, Ants build around black bone. It has begun: the tearing, the trampling on silks, It has begun: the breaking of glass, wood, copper, nickel, silver, foam
‘The Measures Taken’ by Erich Fried is a powerful piece about war and loss. The reader is asked to consider their concepts of good, evil, and who deserves to live throughout the poem.
The lazy are slaughtered
the world grows industrious
The ugly are slaughtered
the world grows beautiful
‘A Song on the End of the World’ by Czeslaw Milosz is an impactful poem that takes a paradoxical view of the apocalypse as a means of underscoring the surreality of facing cataclysm.
On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
‘Getting There’ depicts Plath’s journey through suffering, leading to her revival from a troubled past. This revival, however, is rooted in oblivion.
How far is it?
How far is it now?
The gigantic gorilla interior
Of the wheels move, they appall me —
‘London is Full of Chickens on Electric Spits’ by Peter Porter compares the way chickens are treated to conditions in Auschwitz.
London is full of chickens on electric spits,
Cooking in windows where the public pass.
This, say the chickens, is their Auschwitz,
And all poultry eaters are psychopaths.
‘Oranges and Lemons’ explores a group of people’s relationship and engagement with history, revealing a shared reverence for its preservation.
I was prepared for solitude, a floating
amputated quietness circling my wrists -
but not this song, not this
In this heartbreaking poem, Friedmann writes about the last butterfly he saw and uses it as a symbol for loss and approaching death during the Holocaust.
He was the last. Truly the last.
Such yellowness was bitter and blinding
Like the sun’s tear shattered on stone.
That was his true colour.
‘Woodchucks’ by Maxine Kumin is a metaphorical poem which uses the conceit of a farmer hunting woodchucks to uncover the murderous tendencies only a position of power can reveal in humans.
The food from our mouths, I said, righteously thrilling
to the feel of the .22, the bullets' neat noses.
I, a lapsed pacifist fallen from grace
puffed with Darwinian pieties for killing,
This poem delves into death, rebirth, and the endurance of suffering, drawing parallels to the biblical figure of Lazarus.
I have done it again.
One year in every ten
I manage it——
‘Daddy’ by Sylvia Plath uses emotional, and sometimes, painful metaphors to depict the poet’s opinion of her father and other men in her life.
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
‘Lullaby’ by Stephen Dobyns is a poem about the passage of time, looking back on the last century and wondering what the next one will bring.
The zero of a yawn eclipses your face,
feeling drowsy, eyelids heavy:
goodnight, goodnight, blow out the light,
the century is going to sleep.
‘We Live to Kill and Kill to Live’ by Gabriel Okara is a poem that looks at humanities intrinsic relationship with war.
Hiroshima, Nagasaki-bombs
Holocaust, Germany
Genocide, Bosnia Herzegovina, nuclear bombs!
Rwanda, Burundi, Genocide, fragmentation bombs.
‘Behaving Like a Jew’ by Gerald Stern is a lyric poem with elements of an elegy. It includes poet’s understanding of how suffering and death should be approached.
When I got there the dead opossum looked like
an enormous baby sleeping on the road.
It took me only a few seconds—just
‘More Light! More Light!’ by Anthony Hecht what inspired by the poet’s experiences during World War II. It describes several horrific deaths, one and 16th-century England and three in Buchenwald during World War II.
Composed in the Tower before his execution
These moving verses, and being brought at that time
Painfully to the stake, submitted, declaring thus:
“I implore my God to witness that I have made no crime.”
‘My Grandmother’s Laughter’ by Oriana Ivy utilizes the simple element of a blanket to showcase the trauma of the holocaust.