Poems about imprisonment explore the harrowing reality of confinement and loss of freedom. They shed light on incarceration’s emotional and psychological toll, emphasizing the human capacity for resilience and hope even in the darkest circumstances.
These verses may contemplate themes of justice, forgiveness, and redemption, raising questions about the complexities of crime and punishment. Poets use interesting language to draw readers into the world of the imprisoned, encouraging empathy and understanding for those who have experienced the isolation and constraints of captivity.
These poems often call for social reform and compassion within the justice system.
‘Sympathy’ by Paul Laurence Dunbar evokes a profound sense of empathy in its attempt to understand the forlorn song of those who feel they are captives unable to reach the world beyond their respective cages.
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
‘The Ballad of Reading Gaol’ is a scathing critique of the penal system and an exploration of complex human emotions.
He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
‘Hard Rock Returns to Prison’ is an allegory of oppression and forced submission of Black inmates in America.
Hard Rock / was / “known not to take no shit
From nobody,” and he had the scars to prove it:
Split purple lips, lumbed ears, welts above
His yellow eyes, and one long scar that cut
Tennyson’s ‘The Lady of Shalott’ narrates the tale of the cursed Lady entrapped in a tower on the island of Shalott, who meets a tragic end.
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
“Venice — Venus?” by Hilda Doolittle is an insightful poem about Doolittle’s reasons for writing despite critiques. Doolittle reveals that her ultimate source of inspiration is divine.
Venice — Venus?
this must be my stance,
my station: though you brushed aside
Stevie Smith’s ‘Parrot’ is a moving exploration of a parrot’s imprisonment and suffering set against the backdrop of the modern urban world.
The old sick green parrot
High in a dingy cage
Sick with malevolent rage
Beadily glutted his furious eye
‘Mariana’ by Alfred Lord Tennyson, drawing from a Shakespearean play, depicts the sorrow of a lonely woman abandoned by her lover.
With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
‘Dolphins’ explores the sorrow of captive dolphins, mourning their ocean past and facing a bleak future in confinement.
World is what you swim in, or dance, it is simple.
We are in our element but we are not free.
Outside this world you cannot breathe for long.
The other has my shape. The other's movement
‘Getting There’ depicts Plath’s journey through suffering, leading to her revival from a troubled past. This revival, however, is rooted in oblivion.
How far is it?
How far is it now?
The gigantic gorilla interior
Of the wheels move, they appall me —
‘Who Understands Me but Me’ by Jimmy Santiago Baca is about the poet’s prison experience, showing his hardships and isolation, but ultimately finding inner strength and self-discovery.
they have changed me, and I am not the same man,
they give me no shower, so I live with my smell,
they separate me from my brothers, so I live without brothers,
who understands me when I say this is beautiful?
‘Not My Business’ by Niyi Osundare is a powerful, satirical poem that explores the consequences of staying silent in the face of oppression.
They picked Akanni up one morning
Beat him soft like clay
And stuffed him down the belly
Of a waiting jeep.
‘Barbie Doll’ by Marge Piercy shows the absurd ideals demanded of young girls and the consequences of those gendered expectations.
This girlchild was born as usual
and presented dolls that did pee-pee
and miniature GE stoves and irons
and wee lipsticks the color of cherry candy.
A slow and painful surrender to love is at the heart of ‘Sonnet 2’ by Sir Philip Sidney, where the speaker loses his freedom and masks his suffering through carefully crafted verse.
Not at first sight, nor with a dribbèd shot,
Love gave the wound which while I breathe will bleed:
But known worth did in mine of time proceed,
Till by degrees it had full conquest got.
Hughes’ ‘The Jaguar’ contrasts subdued zoo animals with a fierce, untamed jaguar that captivates with its defiant spirit.
The apes yawn and adore their fleas in the sun.
The parrots shriek as if they were on fire, or strut
Like cheap tarts to attract the stroller with the nut.
Fatigued with indolence, tiger and lion
In this heartbreaking poem, Friedmann writes about the last butterfly he saw and uses it as a symbol for loss and approaching death during the Holocaust.
He was the last. Truly the last.
Such yellowness was bitter and blinding
Like the sun’s tear shattered on stone.
That was his true colour.