15+ Must-Read Poems about Mistakes

(15 to start, 25+ to explore)

These candid and reflective verses explore the human experience of erring and learning. They delve into the aftermath of mistakes, embracing vulnerability and the growth journey.

These poems encompass small regrets and significant missteps, shedding light on the universal nature of fallibility. Through powerful storytelling and introspection, these verses acknowledge that mistakes are a part of being human, encouraging readers to embrace imperfections, forgive themselves, and find wisdom in the lessons learned.

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Stealing Peas

by Gillian Clarke

‘Stealing Peas’ explores the bittersweetness of a memory that ultimately reveals the inherent insecurities and vulnerabilities of childhood.

The poem delves into the emotional weight of small mistakes. The speaker regrets asking, ‘Who d’you like best?’ after the boy’s answer causes unexpected hurt. What begins as a playful moment turns into a painful lesson in vulnerability. The speaker’s realization—‘I wish I hadn’t asked’—captures the lasting impact of even minor mistakes in shaping emotional understanding and the bittersweetness of growing up.

Tamp of a clean ball on stretched gut.

Warm evening voices over clipped privet.

Cut grass. Saltfish from the mudflats,

and the tide far out.

#2
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an afternoon nap

by Arthur Yap

‘an afternoon nap’ by Arthur Yap explores the lacunae in the modern education system and how it results in anxiety and stress in students.

Yap's 'an afternoon nap' is all about mistakes. The major mistake that the poet points out in this piece is how a mother fails to take care of her son's actual needs.

the ambitious mother across the road

is at it again. proclaming her goodness

she beats the boy. shouting out his wrongs, with raps

she begins with his mediocre report-book grades.

#3
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Sonnet 110

by William Shakespeare

‘Sonnet 110’ or ‘Alas, ’tis true I have gone here and there’ is about the speaker’s realization that he only wants the Fair Youth.

The poem is not only about making mistakes; instead, it takes readers through the emotional ride of remorse and guilt that surfaces post-realization. The speaker's admission of infidelity and the earnest plea for forgiveness underscores strength and personal growth, embodying moral integrity. Recognizing and rectifying mistakes demonstrates the speaker's ethical stance and emotional evolution, alleviating the psychological torment of guilt.

Alas! 'tis true, I have gone here and there,

And made my self a motley to the view,

Gored mine own thoughts, sold cheap what is most dear,

Made old offences of affections new;

#4
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The Other

by Ted Hughes

Ted Hughes’ ‘The Other’ reflects on his bond with Sylvia Plath, exploring love, guilt, and their connection’s transformative power.

The poem quietly focuses on all the wrong turns taken in their relationship. Hughes speaks like someone trying to piece together where things went wrong. He remembers how things started small and slowly turned into something harder and darker. He didn’t mean to harm her, but realizes that his choices had consequences. The entire poem feels like him facing the mistakes he made — not just once, but over a long period of time.

Still she had so much she made you feel

Your vacuum, which nature abhorred,

So you took your fill, for nature's sake.

Because her great luck made you feel unlucky

#5
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I am very bothered

by Simon Armitage

In ‘I am very bothered’, the Speaker takes on the role of confessor, as he shares a shameful event from his past and offers it up to the Reader to make up their minds about the misdemeanor.

This poem revolves around a serious mistake made by a schoolboy who burned a pair of scissors and handed them to a girl, leaving her with permanent scars. The speaker reflects on the incident with discomfort, showing that the memory still troubles him as an adult. The act was not accidental but carefully planned, and the poem focuses on how a single decision made in youth can leave a lasting mark that cannot be undone.

I am very bothered when I think

of the bad things I have done in my life.

Not least that time in the chemistry lab

#6
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Scything

by Gillian Clarke

‘Scything’ by Gillian Clarke orchestrates an unexpected encounter with the visceral realities of life and death.

The death of the hatchlings is a tragic accident, one that actually happened to Clarke while gardening with her son, and represents a poignantly teachable moment regarding death and guilt. Yet that pain proves that the speaker understands their mistake, even if they never intended to cause such a thing. Some blunders are too severe, too irreversible to do anything but be absorbed and lived with, and that is the case with this poem. The speaker knows there's nothing they can do to fix what they've done but they come anyway carrying the pieces.

It is blue May. There is work

to be done. The spring’s eye blind

with algae, the stopped water

silent. The garden fills

#7
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Farewell to Love

by John Donne

‘Farewell to Love’ by John Donne is a classic piece by the Metaphysical poet that demonstrates his skill with intellectual arguments mixed with intense passion. 

Donne's reflections hint at past errors in judgment, especially in blindly pursuing desires that eventually lead to harm or disillusionment. He is learning from those mistakes and decides to lead the rest of his life in a different way.

Whilst yet to prove

I thought there was some deity in love,

So did I reverence, and gave

Worship ; as atheists at their dying hour

#8
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Landmark

by Owen Sheers

‘Landmark’ by Sheers captures an intimate encounter’s imprint on nature, blending passion with the landscape for a lasting memory.

When the couple turns around and sees the flattened grass, they seem taken aback. What felt beautiful at the time now looks like something that may have caused harm. There’s no clear apology, but the tone changes — it’s no longer just about closeness, but also about realizing that they may have left something behind they didn’t intend to. The image of the land “complete without them” suggests a quiet recognition that their presence was not harmless.

Afterwards they were timeless

and they lay that way for a while before standing

and dressing, reclaiming their clothes

#9
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Tess’s Lament

by Thomas Hardy

‘Tess’s Lament’ by Thomas Hardy is a depressing poem that agonizes over the grief and regret of one woman’s tragic heartbreak.

In Hardy's novel, 'Tess of the d'Urbervilles: A Pure Woman,' the protagonist Tess reveals a secret about her past to her lover, which causes him to recoil in judgment and abandon her. The aftermath of this revelation is what plays out in the poem, with the speaker obsessing mournfully over their decision, which has backfired spectacularly. Though it's unclear what exactly Tess regrets: telling their lover, his reaction, or her past.

I would that folk forgot me quite,

Forgot me quite!

I would that I could shrink from sight,

And no more see the sun.

#10
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Metamorphosis

by Peter Porter

‘Metamorphosis’ by Peter Porter draws attention to the transformation of the speaker into a hideous and unrecognizable character.

In this poem, the speaker's arrogance is palpable. It is in his strides, and the way he lusts after his reflections in mirrors reek of arrogance. Where pride does not go before a fall, arrogance sure does, and it was only a matter of time before he starts realizing his mistakes.

As in a werewolf film I’m horrible, far

Below the collar – my fingers crack, my tyrant suit

Chokes me as it hugs me in its fire.

#11
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How Great My Grief

by Thomas Hardy

‘How Great My Grief’ by Thomas Hardy is a moving poem that examines a different kind of grief than the poet is typically associated with expressing.

Another topic touched on in Thomas Hardy's poem is the regret felt in making mistakes. Now, the nature of the mistake in the poem is ambiguous, as the speaker never directly states they view their fateful meeting with this person as a mistake. Yet the reader can infer that at the very least the speaker wishes they'd acknowledged the irreconcilable elements of their relationship much sooner than they have.

How great my grief, my joys how few,

Since first it was my fate to know thee!

- Have the slow years not brought to view

How great my grief, my joys how few,

#12
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The Merchant’s Prologue

by Geoffrey Chaucer

‘The Merchant’s Prologue’ is the introduction to ‘The Merchant’s Tale’ and serves to establish the Merchant as an unreliable narrator.

In 'The Merchant's Prologue', the Merchant ruminates on his marriage. He openly admits to the group of pilgrims that getting married is a mistake that he would not make again with the knowledge he now holds. By the end of the text, the Merchant appears to understand that relating the great sorrows of his marriage was a mistake because he cannot provide any evidence as to his unhappiness, and subsequently deflects this by telling someone else's tale.

"Wepyng and waylyng, care and oother sorwe

"Weeping and wailing, grief and other sorrow

1214 I knowe ynogh, on even and a-morwe,"

I know enough, on evenings and mornings,"

#13
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The Turkey Shot Out of the Oven

by Jack Prelutsky

In ‘The Turkey Shot Out of the Oven,’ a culinary catastrophe turns comical as a turkey’s unconventional escape leads to hilarious mayhem.

The poem explores the topic of mistakes by showcasing the humorous consequences of a peculiar culinary error: stuffing a turkey with unpopped popcorn. The poem humorously illustrates how a simple oversight in judgment can lead to a chain of unexpected and chaotic events. It serves as a lighthearted reminder that everyone makes mistakes and that learning from them is essential to avoid repeating them.

Take a turkey, stuff it fat,

Some of this and some of that.

Get some turnips, peel them well.

Cook a big squash in its shell.

#14
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Fooled Me for Years with the Wrong Pronouns

by Gwyneth Lewis

‘Fooled Me for Years with the Wrong Pronouns’ by Gwyneth Lewis explores an abusive relationship, with Lewis writing an anti-love poem.

The poem touches upon the theme of mistakes as the speaker is blamed for doubting their partner's loyalty. The line "You promised me nothing but blamed me for doubting" shows how the partner is deflecting blame onto the speaker for their mistakes.

You made me cry in cruel stations, So I missed many trains. You married others In plausible buildings. The subsequent son Became my boss. You promised me nothing  

#15

Holy Sonnet II

by John Donne

‘Holy Sonnet II’ by John Donne is the second in a series of religious sonnets that Donne is well-known for. This poem is directed to God and explores a speaker’s concerns about their fate. 

As due by many titles I resign

Myself to thee, O God. First I was made

By Thee; and for Thee, and when I was decay’d

Thy blood bought that, the which before was Thine.

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