Wystan Hugh Auden, born in 1907 in York, England, distinguished himself with a prolific career, producing about 400 poems and essays each. His verse, blending contemporary events with everyday language, drew inspiration from poets like Emily Dickinson, contrasting with his aversion to Romanticism.
Auden’s notable works include ‘Poems’ (1928) and ‘The Orators’ (1932), with his ‘The Age of Anxiety’ winning the 1948 Pulitzer Prize. His literary journey, marked by rich and complex poetic landscapes, continued until his death in 1973.
‘Funeral Blues,’ also known as ‘Stop all the Clocks,’ is arguably Auden’s most famous poem. It was first published in Poems of To-Day in 1938.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
‘Lullaby’ by W.H. Auden describes the love that one speaker has for his imperfect “beloved” and how that love will be enough to content them both.
Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
‘Autumn Song’ by W.H. Auden masterfully intertwines beauty with bleakness, portraying Autumn as a metaphor for loneliness, death, and insurmountable challenges.
Now the leaves are falling fast,
Nurse’s flowers will not last;
Nurses to the graves are gone,
And the prams go rolling on.
Amidst the sorrow of W.B. Yeats’ passing, Auden delves into the essence of poetry, pondering its purpose and significance in the lives of ordinary readers, questioning the very essence of poetic creation.
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
‘Refugee Blues’ by Auden portrays the plight of Jews escaping Nazis, using imagery and blues rhythm to highlight themes of exile and despair.
Say this city has ten million souls,
Some are living in mansions, some are living in holes:
Yet there's no place for us, my dear, yet there's no place for us.
Once we had a country and we thought it fair,
Auden’s ‘The Shield of Achilles’ reimagines an episode from Homer’s ‘Iliad’ where Thetis watches over Hephaestus crafting armor for Achilles.
She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
Auden’s ‘Consider This and in Our Time’ captures a society poised on the brink, blending serene imagery with ominous undertones of political upheaval.
As the hawk sees it or the helmeted airman:
The clouds rift suddenly - look there
At cigarette-end smouldering on a border
At the first garden party of the year.
‘Musee des Beaux Arts’ by W.H. Auden describes, through the use of one specific artwork, the impact of suffering on humankind.
About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
Amidst the turmoil of World War II’s inception, Auden pens ‘September 1, 1939′, echoing Yeats’ ‘Easter, 1916’, lamenting historical failures while hinting at future glimmers of hope.
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
W.H. Auden’s piece, written in his later years, reflects his life experiences. It portrays a traveling intellectual, disillusioned with his reading tours.
Among pelagian travelers,
Lost on their lewd conceited way
To Massachusetts, Michigan,
Miami or L.A.,
W.H. Auden’s ‘Night Mail,’ written for the UK postal service, presents its significance and dedication to fulfilling society’s needs.
This is the night mail crossing the Border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner, the girl next door.
‘If I Could Tell You,’ a villanelle by W.H. Auden, delves into time’s role in life, emphasizing learning from mistakes and the futility of worrying about the uncontrollable.
Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.
W.H. Auden’s ‘The Fall of Rome’ explores the downfall of civilization following World War II and the independence of India.
The piers are pummelled by the waves;
In a lonely field the rain
Lashes an abandoned train;
Outlaws fill the mountain caves.
‘The Unknown Citizen,’ a popular work by W.H. Auden, satirically depicts a dystopian report on a man’s life, exploring individuality and government power.
Except for the War till the day he retired
He worked in a factory and never got fired
But satisfied his employers, Fudge Motors Inc.
‘Law Like Love’ looks at the concept of the law in an abstract way and asks if it can be seen objectively and what different subjective views of it mean. It then compares this with a very different concept – that of love.
Law, say the gardeners, is the sun,
Law is the one
All gardeners obey
Tomorrow, yesterday, today.