Poems about sailing delve into the multifaceted nature of sailing, depicting it as both a physical journey and a metaphorical voyage through life’s trials and triumphs.
They speak to the elemental pull of the serene sea, the thrill of navigating unpredictable waters, the adventure of braving nature’s fury, and the camaraderie forged among sailors amidst challenges. Sailing, as a human experience, offers a profound sense of liberation, sublimity, and exhilaration, along with harshness, solitude, and dangers. The poems employ nautical elements like winds, tides, stars, sails, etc., to paint an evocative picture of the sea life and metaphorically reflect on the ebb and flow of life’s journey.
The poems often employ sailing as a metaphor to explore broader themes of the journey of life, death, and transcendence, reminding readers to navigate life’s uncertainties with courage and determination, guided by the compass of their dreams.
Yet, sailing’s legacy is also fraught with the complexities of exploitation and domination. The poems also reveal the historic role of sailing. Historically, sailing has played a pivotal role in shaping global trade and facilitating exploration, conquest, and colonial expansion.
‘The Wreck of the Hesperus’ by Henry Wadsworth Longfellow is a narrative poem about a shipwreck and human vanity.
It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughtèr,
To bear him company.
A. A. Milne’s ‘The Island’ presents the speaker’s desire to land on a distant island, from where he overlooks the sea like a king.
If I had a ship,
I’d sail my ship,
I’d sail my ship
Through Eastern seas
‘Columbus’ by Joaquin Miller narrates the moments in Columbus’ voyage to the new world, focusing on the crew’s hardship.
Behind him lay the gray Azores,
Behind the Gates of Hercules;
Before him not the ghost of shores,
Before him only shoreless seas.
‘The Seafarer,’ translated by Ezra Pound, is an Anglo-Saxon poem in which the speaker discusses earthly and spiritual life on the sea.
May I for my own self song’s truth reckon,
Journey’s jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
‘Sea Fever’ by John Masefield depicts the speaker’s passion for the sea and longing for a sailor’s adventurous lifestyle.
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by;
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
In ‘The Hesperides’ by Alfred Lord Tennyson, the poem embarks on a mystical voyage with Zidonian Hanno.
The North-wind fall'n, in the new starréd night
Zidonian Hanno, voyaging beyond
The hoary promontory of Soloë
Past Thymiaterion, in calméd bays
‘Crossing the Bar’ by Alfred Lord Tennyson presents the journey from life into death as if calmly advancing into a new phase.
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
‘On the Sea’ by John Keats portrays the sea as an enigmatic force capable of lifting spirits and easing mental anguish.
It keeps eternal whisperings around
Desolate shores, and with its mighty swell
Gluts twice ten thousand Caverns, till the spell
Of Hecate leaves them their old shadowy sound.
David Constantine’s ‘Watching for Dolphins’ presents urbanites seeking spirituality in nature, symbolized by their quest to spot dolphins.
In the summer months on every crossing to Piraeus
One noticed that certain passengers soon rose
From seats in the packed saloon and with serious
Looks and no acknowledgement of a common purpose
‘The Imaginary Iceberg’ plays with notions of reality, fantasy, and beauty by describing the grandeur of the titular iceberg.
We'd rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
‘Wild nights – Wild nights!’ by Emily Dickinson is a multi-faceted poem. It explores an ambiguous relationship that could be religious or sexual.
Wild nights - Wild nights!
Were I with thee
Wild nights should be
Our luxury!
‘City of Ships’ by Walt Whitman praises the city of New York giving specific focus and awe to its crowded harbors.
City of ships!
(O the black ships! O the fierce ships!
O the beautiful sharp-bow'd steam-ships and sail-ships!)
City of the world! (for all races are here,
‘Landfall, Grenada’ serves as an elegy for a dead mariner. The poet praises his friend’s stoic attitude, even in the face of death.
Where you are rigidly anchored,
the groundswell of blue foothills, the blown canes
surging to cumuli cannot be heard;
like the slow, seamless ocean,
In ‘The Castaway,’ William Cowper turns a sailor’s tragic struggle against stormy seas into a haunting meditation on abandonment, isolation, and the battle between hope and despair.
Obscurest night involv'd the sky,
Th' Atlantic billows roar'd,
When such a destin'd wretch as I,
Wash'd headlong from on board,
‘The Building of the Ship’ by Henry Wadsworth Longfellow encapsulates the nation’s resilience and unity amid adversity, sailing onward with courage.
"Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!"