Poems that evoke anxiety tap into deep-rooted fears and uncertainties. The language is often unsettling and fraught with tension, filled with apprehensive anticipation.
The poet carefully crafts an atmosphere of unease, capturing the tightening grip of worry, the restlessness of dread. Such poetry can be hauntingly beautiful, inviting readers into an empathetic exploration of the restless, often tumultuous landscapes of anxiety.
Edna St. Vincent Millay’s ‘Renascence’ is a moving poem. The poet explores themes of suffering, time, rebirth, and spirituality.
‘Renascence’ is one of Millay’s best and most widely read poems. It is written in the first person and describes the relationship between the speaker and humanity, as well as the broader natural world. She’s overwhelmed by nature, human suffering, and the deaths of others.
William Butler Yeats’s ‘The Second Coming’ delves into the hopeless atmosphere of post-World War I Europe through apocalyptic imagery.
‘The Second Coming’ is filled with Christian images that come from a religious idea of what the end of the world will be like. This was inspired by the end of the First World War. After the end of the war, the world was torn, and many could not return to the lives and beliefs they’d held before it began.
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
‘A Prayer’ by James Joyce is a bemoaning poem that agonizes over love’s overwhelming capacity to instill both great passion and dreadful misery upon those afflicted with it.
Throughout the poem, the speaker's tone is characterized by a particular anxiety. It's also this feeling that stirs them to prayer in the first place, the source of which is their unbridled and uncontrollable desire for another. Joyce's poem underscores an understanding that love isn't simply gushing romance but rather a mixture of madness and joy.
Again!
Come, give, yield all your strength to me!
From far a low word breathes on the breaking brain
Coleridge’s ‘Christabel’ is an uncompleted long narrative that tells the story of Christabel and Geraldine, featuring supernatural elements.
This poem brims with anxiety, a pervasive tension that pulses through every line. The unsettling encounter with Geraldine, the strange, ambiguous behavior, the lingering doubts and unspoken fears—all coalesce to create a palpable sense of dread. Coleridge’s masterful use of gothic elements, mysterious omens, and supernatural overtones intensifies the anxiety, making readers feel Christabel’s unease and foreboding as if it were their own.
‘Good Bones’ by Smith portrays the world’s duality, balancing the harsh truth with hope for its potential beauty.
In ‘Good Bones,’ the speaker goes through some of the things she keeps from her children. Like the fact that life is short and that she’s shortened her life in ways she’s also not going to tell them about. The world, she goes on to say, is “at least half terrible.” The poem ends on a beautiful note. The poet’s speaker suggests that “you” could “make this place beautiful.”
Life is short, though I keep this from my children.
‘There’s a certain Slant of light’ by Emily Dickinson is a thoughtful poem. It depicts a metaphorical slant of light and how it influences the speaker.
This piece was published in 1890 and touches on themes of nature, God, and alienation. The latter is something, in addition to loneliness and solitude, that often comes up in Dickinson’s poetry. These emotional states can often be the source of a great deal of anxiety. The “Slant of light” in the poem oppresses the speaker’s voice from trying to put into words how she feels.
‘Rubble’ by Jackie Kay is a dramatic monologue that was included in her collection, Darling: New & Selected Poems. It conveys an individual’s cluttered and chaotic mind.
The poem is one of the finest examples of claustrophobic, interior anxiety that has been published this century.
‘Why did you come’ by Hilda Doolittle is about love, self-criticism, aging, and the human inability to control judgments and desires.
Hilda Doolittle lets her anxieties run wild in "Why did you come," revealing the intrusive thoughts that she has as she develops a desire for another person. She fears that her attraction is "ridiculous," worrying that her feelings may cause her even more shame and guilt later in life if others find out.
Auden’s ‘Consider This and in Our Time’ captures a society poised on the brink, blending serene imagery with ominous undertones of political upheaval.
The poem captures a deeply anxious atmosphere, with its fragmented imagery and foreboding tone reflecting societal unrest. Lines like “scattering the people, as torn up paper” convey a collective loss of control, amplifying anxiety on both personal and societal levels. This unease mirrors the political and cultural fragility of the interwar years, making anxiety central to the poem’s emotional core.
‘The Colonel’ by Carolyn Forché reveals the horror of El Salvador’s civil war through a chilling dinner with a violent colonel.
‘The Colonel’ is an unusual poem about the poet’s supposed dinner with “the colonel,” the leader of El Salvador, who inflicted terror on his people in the 1970s. The poem exposed the horrors occurring, whiten the country to a wider audience. In the piece, the speaker creates an anxious environment as the colonel gets angrier and angrier.
WHAT YOU HAVE HEARD is true. I was in his house. His wife carried a tray of coffee and sugar.
‘Lines Written Near San Francisco’ is a poem about the poet’s realization about the city of San Francisco. This poem reveals the themes of loss of innocence and simplicity.
‘Lines Written Near San Francisco’ is a complex and image-filled poem in which the speaker alludes to experiences, other poets, and places that come together to form a picture of uncertainty.
I wake and feel the city trembling.
Yes, there is something unsettled in the air
And the earth is uncertain.
‘Anorexic’ by Eavan Boland presents a woman determined to destroy her physical body through starvation while alluding to the original sin.
Anxiety is one of the underlying emotions that haunt the speaker. In the poem, she describes how in her dreams, she feels claustrophobic but somehow consoles her by saying this is rather a “sensuous enclosure.”
‘Boots’ by Rudyard Kipling is a memorable poem. In it, Kipling uses repetition to emphasize the struggle of soldiers on a forced march.
As a portrayal of growing anxiety, the poem excels by showing how mundane repetition breeds psychological torment. The soldiers' various counting attempts ("Seven—six—eleven—five") reveal increasing anxiety as they try to distract themselves from the endless marching. The refrain "There's no discharge in the war!" amplifies the anxiety of being trapped.
We're foot—slog—slog—slog—sloggin’ over Africa!
Foot—foot—foot—foot—sloggin’ over Africa—
(Boots—boots—boots—boots—movin’ up and down again!)
‘In this short life that only lasts an hour’ by Emily Dickinson is a thoughtful, short poem. It is about how little we can control in our everyday lives.
In this very short poem, the speaker expresses the fact that there’s only so much, or little, that’s in her power to accomplish or change. This is something that’s often at the heart of anxious feelings, that there’s nothing one can do to change their situation.
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