Poems about confusion delve into complicated thoughts or ideas and intricate narratives that sometimes reflect the perplexity experienced by their personas. They navigate through complex philosophical concepts, abstract notions, and the turbulent mental states induced by personal trauma or communal histories, rendering life uncertain and ambiguous.
The complex labyrinth of thoughts, emotions, and experiences contributing to a sense of confusion is deftly conveyed. Poets employ complex metaphors, fragmented narratives, contrasting emotions, and ambiguity to mirror the sensation of being confused or unsure. They frequently experiment with language, utilizing unconventional syntax, unusual word combinations, and even nonsensical words to convey nuanced meanings while challenging readers’ comprehension.
Within this maze of poetic expression, poets explore transcendental ideas, push linguistic boundaries through experimentation, and articulate the anguish of an ambiguous and uncertain existence, respectively, capturing profound truths, illustrating new realities and perspectives, and depicting the intricate identities of the modern world. As a result, they present readers with a complex puzzle to decipher, evoking a shared sense of disarray and perplexity in the process.
‘The Victor Dog’ by James Merrill humorously explores the listener’s perspective, imagining them as the attentive dog on the Victor label.
Bix to Buxtehude to Boulez.
The little white dog on the Victor label
Listens long and hard as he is able.
It’s all in a day’s work, whatever plays.
‘A Plate’ is a modernist abstract experimental prose poem that explores thoughts triggered by ordinary objects.
A PLATE.
An occasion for a plate, an occasional resource is in buying and how soon does washing enable a selection of the same thing neater. If the party is small a clever song is in order.
‘Half-Past Two’ utilizes childish vernacular and mismatched capitalization to reflect the stress of a young boy, who in the past was punished for “Something Very Wrong.”
Once upon a schooltime
He did Something Very Wrong
(I forget what it was).
And She said he’d done
Walcott’s ‘A Far Cry from Africa’ explores postcolonial identities, encapsulating the struggle between African roots and colonial influence.
A wind is ruffling the tawny pelt
Of Africa. Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
‘The Layers’ by Kunitz explores acceptance and growth through life’s changes, employing striking imagery to reflect on personal evolution.
I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
Coleridge’s ‘Christabel’ is an uncompleted long narrative that tells the story of Christabel and Geraldine, featuring supernatural elements.
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
‘Matins (Forgive Me If I Say I Love You)’ is a well thought out piece about someone who is eager to love but has not been given anything to work with.
Forgive me if I say I love you: the powerful
are always lied to since the weak are always
driven by panic. I cannot love
what I can’t conceive, and you disclose
‘The Idea of Order at Key West’ by Wallace Stevens describes the tension between an interior and exterior life and the role of artist.
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.
‘A Hope Carol’ describes a liminal space in which a speaker is existing and the elements which inspire her to hope for the future.
Below the stars, beyond the moon,
Between the night and day,
I heard a rising falling tune
Calling me:
‘On Her Loving Two Equally’ by Aphra Behn is a portrayal of a woman’s heart torn between two lovers, clearly illustrating the agony and indecision that accompany such deep, conflicting emotions.
How strongly does my Passion flow,
Divided equally ’twixt two?
Damon had ne’er subdued my heart,
Had not Alexis took his part;
‘Tears, Idle Tears’ is an emotional exploration of time, life, and death, told through the eyes of a court maiden and filled with vivid imagery.
Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy autumn-fields,
‘A Red Stamp’ by Gertrude Stein is a poem that explores life’s routine, asking us to reflect on what truly matters.
If lilies are lily white if they exhaust noise and distance and even dust,
A nonsense poem filled with wordplay, ‘Jabberwocky’ by Lewis Carroll tells the story of the hero’s quest to slay the Jabberwock.
’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
In ‘Sonnet 129,’ William Shakespeare describes the nature of lust and its effect on an individual’s mind and spirit.
The expense of spirit in a waste of shame
Is lust in action: and till action, lust
Is perjured, murderous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust,
Adcock’s ‘The Telephone Call’ humorously navigates the illusion of luck, emphasizing life’s experiences over material wealth.
They asked me 'Are you sitting down?
Right? This is Universal Lotteries,'
they said. 'You've won the top prize,
the Ultra-super Global Special.