The Spenserian Stanza consists of nine lines: eight in iambic pentameter followed by one alexandrine line (a line of poetry that contains twelve syllables, usually divided into two halves of six syllables each, with a caesura, or pause, in the middle.). With a rhyme scheme of ABABBCBCC, this structure enhances narrative depth and lyrical beauty, allowing poets to craft detailed, flowing verses that blend complexity and rhythm seamlessly.
‘Adonais’ is a lament for the untimely death of the mystical figure Adonais, symbolizing the young and talented John Keats.
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
‘Plant a Tree’ by Lucy Larcom is a nature and religion-themed poem that speaks about the benefits of planting trees.
He who plants a tree
Plants a hope.
Rootlets up through fibres blindly grope;
Leaves unfold into horizons free.
In ‘Imitation of Spenser’, Keats paints a lush, romantic landscape in Spenserian style, describing a serene morning, vibrant nature, and an idyllic lake setting.
Now Morning from her orient chamber came,
And her first footsteps touch'd a verdant hill;
Crowning its lawny crest with amber flame,
‘Apostrophe to the Ocean’ by Lord Byron is an excerpt from Byron’s long, epic poem ‘Childe Harold’s Pilgrimage.’ The excerpt includes seven stanzas from the poem, starting with stanza CLXXVIII, or 178, and ending with stanza 184.
There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
‘Sonnet 54’ is part of Spenser’s Amoretti and is a Spenserian sonnet, formed by three interlocked quatrains and a couplet.
Of this worlds Theatre in which we stay,
My love lyke the Spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.