9 Must-Read Epic Poems

Epic poetry is a genre of narrative literature that celebrates heroic feats and legendary events in an elevated style.

Originating from ancient oral storytelling traditions, epics are typically long, often divided into books or sections. They feature a grand scope, a vast setting, noble or semi-divine heroes, the involvement of gods and supernatural beings, and a mix of dialogue and descriptive narration.

Homer’s ‘The Iliad‘ and ‘The Odyssey,‘ Virgil’s ‘Aeneid,’ and Milton’s ‘Paradise Lost’ are all examples of epic poetry.

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The Song of Hiawatha: Hiawatha and Mudjekeewis

by Henry Wadsworth Longfellow

‘The Song of Hiawatha: Hiawatha and Mudjekeewis’ by Henry Wadsworth Longfellow is the fourth part of ‘The Song of Hiawatha.’ The poem details exciting moments in Hiawatha’s physical and spiritual journey. 

This poem is an example of epic poetry, characterized by its grand scope, heroic protagonist, and incorporation of myth and legend. Its epic quality helps to establish a sense of grandeur and timelessness, placing Hiawatha within the pantheon of great mythical heroes.

Out of childhood into manhood

Now had grown my Hiawatha,

Skilled in all the craft of hunters,

Learned in all the lore of old men,

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The Schooner Flight, Section 11: After the Storm

by Derek Walcott

‘After the Storm’ narrates Shabine’s journey of finding his own self through personal crisis in the wake of a turbulent sea-voyage

While the poem may not follow the strict structure of classical epics, it evokes the genre through its seafaring voyage, heroic self-narration, and engagement with fate, nature, and survival. Shabine’s odyssey echoes the archetype of the wandering hero, yet Walcott infuses it with modern, postcolonial sensibilities. It is primarily a modern Caribbean epic, but a lyric-infused one.

There’s a fresh light that follows a storm

while the whole sea still havoc; in its bright wake

I saw the veiled face of Maria Concepcion

marrying the ocean, then drifting away

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The Song of Hiawatha Introduction

by Henry Wadsworth Longfellow

‘The Song of Hiawatha’ Introduction by Henry Wadsworth Longfellow is the first in a series of sections, or cantos, from the long epic poem, ‘The Song of Hiawatha.’

Epic poetry, known for grand narratives revolving around heroic figures, is the form Longfellow adopts for this work. Hiawatha's life, spanning various adventures and teachings, is characteristic of epic tales, making it reminiscent of classics like 'The Odyssey.'

Should you ask me, whence these stories?

Whence these legends and traditions,

With the odors of the forest

With the dew and damp of meadows,

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Love of Country

by Sir Walter Scott

‘Love of Country’ presents a world in which patriotism is the most important virtue of all and the lack of it is unforgivable.

While the poem is not written in epic verse, its subject matter is vast in its scope and the presence of a minstrel is reminiscent of the archetypal bard that is associated with the epic tradition.

Breathes there the man, with soul so dead,

Who never to himself hath said,

This is my own, my native land!

Whose heart hath ne'er within him burn'd,

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America: A Prophecy

by William Blake

‘America: A Prophecy’ reveals the intense struggle for freedom, where oppression gives birth to fiery transformation. Blake’s powerful imagery speaks to revolutionary change, much like the battles for civil rights that continue today.

'America a Prophecy' fits within the epic genre by presenting grand, larger-than-life themes, characters, and conflict. Blake creates a world filled with divine figures, cosmic struggles, and intense symbolism. Much like traditional epics, there’s a sense of a heroic quest—only here, it’s a spiritual and political battle. The poem’s expansive scope and high-stakes drama give it that epic feel, where each moment feels monumental and tied to a larger fate.

The shadowy Daughter of Urthona stood before red Orc,

When fourteen suns had faintly journey'd o'er his dark abode:

His food she brought in iron baskets, his drink in cups of iron:

Crown'd with a helmet and dark hair the nameless female stood;

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Hiawatha’s Childhood

by Henry Wadsworth Longfellow

‘Hiawatha’s Childhood’ by Henry Wadsworth Longfellow describes how the protagonist of ‘The Song of Hiawatha’ grew up and learned about his surroundings. It also focuses on the life of his grandmother.

'Hiawatha's Childhood' is part three of Henry Wadsworth Longfellow's 'The Song of Hiawatha,' one of the most famous epic poems of the 19th century.

By the shores of Gitche Gumee,

By yhr shining Big-Sea-Water,

Stood the wigwam of Nokomis,

Daughter of the Moon, Nokomis.

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On Looking Into E.V. Rieu’s Homer

by Patrick Kavanagh

Patrick Kavanagh’s ‘On Looking Into E. V. Rieu’s Homer’ honors Rieu’s translations, showing how literature blends imagination with reality and shapes perception.

This poem discusses some of the events from a couple of very famous epics - Homer's Iliad and Odyssey - and uses some language that would make it seem as though it is an epic. However, it does not tell an epic tale itself.

Like Achilles you had a goddess for mother,

For only the half-god can see

The immortal in things mortal;

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August 1945

by Hayden Carruth

‘August 1945’ by Hayden Carruth takes the reader into a scene at the end of World War 2, as four soldiers come to terms with their experiences.

The poet makes a reference to Odysseus, and his epic travels, but overall the poem is a poor example of an epic, as it only deals with the final stages of the soldiers' journey.

Sweating and greasy in the dovecote where one of them lived

four young men drank "buzzy" from canteen cups, the drink

made from warm beer mixed half-and-half with colorless Italian

distilled alcohol. A strange fierce taste like bees in the mouth.

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Epic Simile

by A. E. Stallings

‘Epic Smilie’ by A.E. Stallings uses a simile of an epic hero longing for a hero’s death to depict how as one seeks out happiness it may become more allusive and harder to enjoy than it was to begin with.

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