Poems of the fantasy genre are set in imaginary worlds featuring extraordinary landscapes, magical creatures, and impossible events, creating bewitching realms that can exist solely in the human imagination or fantasies. However, sometimes this genre might overlap with gothic or horror, i.e., a darker, more macabre side of poets’ imaginary worlds.
Stories of magical realms and extraordinary creatures date back to oral literature. Fantasy poems draw from mythology, fairy tales, and folk tales while also inventing new, otherworldly creatures and phenomena. They employ various fantastical elements like mythical beings, enchanted objects, animated surroundings, animals with extraordinary powers, etc.
They often have the classical omniscient third-person narrator or a first-person narrator belonging to the fantasy realm, utilizing either authoritative, oracle-like, heroic, whimsical, or lyrical tone delivered in an archetypal or high fantasy genre voice. They also use legends, prophecies, and curses as plot devices while setting the tales mostly (not always) in timeless random spaces sans specified eras or locations.
Whether engaging in moral lessons or the timeless battle of good vs. evil, they usually culminate in a happy ending while taking readers to otherworldly regions, offering adults an escape from the harshness of the real world and entertainment and wonder to younger readers.
A nonsense poem filled with wordplay, ‘Jabberwocky’ by Lewis Carroll tells the story of the hero’s quest to slay the Jabberwock.
’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
‘The Song of the Jellicles’ introduces merry and bright felines – Jellicle cats awaiting to dance by the light of the Jellicle Moon.
Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.
Christina Rossetti’s ‘Goblin Market,’ narrates the fantastical tale of Laura and Lizzie, delving into sin, redemption, and sisterhood.
Morning and evening
Maids heard the goblins cry:
“Come buy our orchard fruits,
Come buy, come buy:
Tennyson’s ‘The Lady of Shalott’ narrates the tale of the cursed Lady entrapped in a tower on the island of Shalott, who meets a tragic end.
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
‘Macavity: The Mystery Cat’ is a light verse presenting the amusing crimes of the superhuman cat – Macavity.
Macavity’s a Mystery Cat: he’s called the Hidden Paw—
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime—Macavity’s not there!
‘La Belle Dame sans Merci’ by John Keats is an intriguing narrative that explores death, decay, and love with a supernatural aura.
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
‘The Forest Path’ by Lucy Maud Montgomery is an uplifting nature poem that describes the beauty and magic one can find in the forest.
Oh, the charm of idle dreaming
Where the dappled shadows dance,
All the leafy aisles are teeming
With the lure of old romance!
Robert Service visits the fantasy of living alone on an island in ‘Atoll,’ and depicts it as an experience both unique and unsettling.
The woes of men beyond my ken
Mean nothing more to me.
Behold my world, and Eden hurled
From Heaven to the Sea;
‘A Fairy Song’ features in ‘A Midsummer Night’s Dream’ by William Shakespeare and is sung by a fairy who describes their work.
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire!
‘A Giraffe and a Half’ by Shel Silverstein playfully narrates a giraffe’s absurd journey, brimming with humor, imagination, and unexpected twists.
If you had a giraffe
And he stretched another half
You would have a giraffe and a half.
If he put on a hat
Song of Beren and Lúthien by J.R.R. Tolkien is a poem that features within The Lord of the Rings books. It is a story about a love between a man and an elf, told to the hobbits by Aragorn.
The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
‘The Flower School’ by Rabindranath Tagore beautifully captures nature’s energy, childhood wonder, and the joy of simple, everyday magic
When storm-clouds rumble in the sky and June showers come down.
The moist east wind comes marching over the heath to blow its
bagpipes among the bamboos.
Then crowds of flowers come out of a sudden, from nobody knows
Stevenson’s ‘The Land of Nod’ is a poem in which a child speaker relates the intrigue they experience with their dreams.
From breakfast on through all the day
At home among my friends I stay,
But every night I go abroad
Afar into the land of Nod.
‘From a Railway Carriage’ by Robert Louis Stevenson wakes up rather sudden and instantaneous images of the rustic countryside; it overcomes the reader with impressions of the brevity of life and its rich variety.
Faster than fairies, faster than witches,
Bridges and houses, hedges and ditches;
And charging along like troops in a battle,
All through the meadows the horses and cattle:
Amy Lowell’s ‘A Fairy Tale’ contrasts childhood’s magical tales with adulthood’s harsh realities, exploring the longing for unmet desires.
On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone