15+ Must-Read Satire Poems

(15 to start, 60+ to explore)

Satire poetry uses humor, irony, exaggeration, or ridicule to criticize or mock human vices, follies, or societal shortcomings. The aim is not merely to entertain but to inform and provoke change, providing a lens through which to view and critique societal norms, politics, or human behavior.

Satire can be sharp and biting or gentle and amusing, depending on the poet’s intent. It’s a powerful tool for social commentary, capable of raising awareness and challenging the status quo. By making readers laugh, satire can make complex or controversial topics more accessible, inspiring reflection and discussion.

From the Roman poet Juvenal to modern poets, satire remains a potent form of poetic expression and critique.

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Part I: The Merchant’s Tale

by Geoffrey Chaucer

‘The Merchant’s Tale’ by Geoffrey Chaucer features January’s quest for a wife and the Merchant’s satirical views on marriage.

Satire dominates Part I, with Chaucer layering mockery on both the Merchant and his tale. The Merchant’s exaggerated misogyny and cynicism distort his storytelling, revealing his personal biases. Meanwhile, Chaucer subtly undermines the narrator himself, crafting a satirical critique of both idealized marriage and those who bitterly reject it.

Whilom ther was dwellynge in Lumbardye

A worthy knyght, that born was of Payve,

In which he lyved in greet prosperitee;

And sixty yeer a wyflees man was hee,

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Part II: The Merchant’s Tale

by Geoffrey Chaucer

This section of ‘The Merchant’s Tale’ by Geoffrey Chaucer establishes January’s impossible expectations of a wife and his own shortcomings.

Chaucer deepens his satire in Part II, ridiculing both January’s romantic delusions and the Merchant’s bitter cynicism. The Merchant’s exaggerated disdain for marriage distorts his storytelling, allowing Chaucer to subtly mock him while also critiquing the unrealistic ideals surrounding love and relationships in medieval society.

With face sad his tale he hath hem toold.

He seyde, "Freendes, I am hoor and oold,

And almoost, God woot, on my pittes brynke;

Upon my soule somewhat moste I thynke.

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Part III: The Merchant’s Tale

by Geoffrey Chaucer

This section of ‘The Merchant’s Tale’ by Geoffrey Chaucer introduces January’s friends and their opinions on marriage.

Satire remains central in Part III, as Chaucer ridicules January’s naïve belief in marriage as a source of happiness. The Merchant’s bitter tone amplifies this mockery, highlighting the contrast between idealized love and harsh reality. Chaucer cleverly undermines both his characters and their flawed perceptions of marriage.

Diverse men diversely hym tolde

Of mariage manye ensamples olde.

Somme blamed it, somme preysed it, certeyn,

But atte laste, shortly for to seyn, 

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Part IV: The Merchant’s Tale

by Geoffrey Chaucer

This section of ‘The Merchant’s Tale’ by Geoffrey Chaucer revisits the counsel of January’s friends and introduces his new wife.

Satire sharpens in Part IV, as Chaucer exposes the growing absurdity of January’s delusions. His blind trust in marriage and misplaced confidence in his youthful wife set him up for ridicule. The Merchant’s own cynicism heightens the mockery, as Chaucer subtly critiques both idealized love and excessive distrust of women.

Heigh fantasye and curious bisynesse

Fro day to day gan in the soule impresse

Of Januarie aboute his mariage.

Many a fair shap and many a fair visage

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Part V: The Merchant’s Tale

by Geoffrey Chaucer

This section of ‘The Merchant’s Tale’ by Geoffrey Chaucer introduces January’s squire and provides details of the wedding night.

Satire intensifies in Part V, as Chaucer heightens the contrast between January’s blind optimism and the reality of his situation. The Merchant’s cynicism amplifies the humor, while the poet’s careful irony exposes the absurdity of both the old knight’s expectations and the young wife’s growing deception.

Mayus, that sit with so benyngne a chiere, 

Hire to biholde it semed fayerye. 

Queene Ester looked nevere with swich an ye 

On Asseur, so meke a look hath she. 

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Part VI: The Merchant’s Tale

by Geoffrey Chaucer

Part VI of Geoffrey Chaucer’s ‘The Merchant’s Tale’ explores moral values as May and Damian begin their affair.

Satire deepens in Part VI, as Chaucer sharpens his critique of marriage, deception, and power dynamics. The Merchant’s bitter perspective colors the tale’s unfolding betrayal, while Chaucer subtly mocks both January’s blindness and Damian’s lovesick devotion, exposing the self-serving desires of every character.

Now wol I speke of woful Damyan,

That langwissheth for love, as ye shul heere;

Therfore I speke to hym in this manere:

I seye, "O sely Damyan, allas!

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Part VIII: The Merchant’s Tale

by Geoffrey Chaucer

In Part VIII, while May sets her adulterous plans into motion, deities Pluto and Proserpina debate about the nature of women.

Chaucer's use of satire builds in Part VIII as he uses the character Proserpina as a vehicle to voice his criticisms of the satirical characters he has constructed throughout the tale. This use of satire achieves a humorous effect as Proserpina highlights the inanity of a large portion of the tale, which features either January or the Merchant rambling about their dislike of women or claims to holiness.

This Januarie, as blynd as is a stoon,

With Mayus in his hand, and no wight mo,

Into his fresshe gardyn is ago,

And clapte to the wyket sodeynly.

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Portrait of Zimri

by John Dryden

‘Portrait of Zimri’ by John Dryden is a political satire that showcases how people in power can be consumed by hollow and pretentious self interest.

Dryden was one of the leading satirists. His plays and poetry all had satire as a running theme, and this poem is a classic example of how satire should be: subtle and effective.

Some of their chiefs were princes of the land:

In the first rank of these did Zimri stand:

A man so various, that he seem'd to be

Not one, but all Mankind's Epitome.

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Frau Freud

by Carol Ann Duffy

‘Fra Freud’ is a poem about how Sigmund Freud’s wife counters one of his psychological theories with the use of humour and feminist philosophy.

As a response to Sigmund Freud's theory concerning 'penis envy', this poem satirises his psychological theory as well as the man himself. She mocks the idea that women would envy the form of males by expressing her opinion of the unattractive nature of the phallus. The comedic impact of this is heightened through her use of synonymia, in which she lists a series of euphemisms for the penis which highlight its unattractiveness and connotations of violence. The poem ends on a comedic note as she satirically reframes Freud's theory, offering men 'pity' for their physical form.

Ladies, for argument's sake, let us say

that I've seen my fair share of ding-a-ling, member and jock,

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Genius

by Mark Twain

Twain’s ‘Genius’ pokes fun at society’s view of genius, questioning the true nature of intellectual brilliance.

Twain uses humor, irony, and exaggeration to critique societal stereotypes about genius. He amplifies the characteristics of geniuses according to how society views them. This is a way to mock how society perceives geniuses and how they are portrayed in society. Twain demonstrates that we may be mistaken in expecting geniuses to have eccentric behavior, unconventional lifestyles, and, often, suffering. It is a humorous way of telling people that they have to redesign what it means to be intelligent.

Geniuses are people who dash off weird, wild,

incomprehensible poems with astonishing facility,

and get booming drunk and sleep in the gutter.

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Emotions: Amusement, Anxiety, Disgust, Sadness
Topics: Violence
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The Lesson

by Roger McGough

‘The Lesson’ by Roger McGough is an interesting and unique satirical poem that depicts the violent result of a teacher’s built-up rage.

Chaos ruled OK in the classroom

as bravely the teacher walked in

the nooligans ignored him

his voice was lost in the din

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Not Waving but Drowning

by Stevie Smith

Stevie Smith’s ‘Not Waving but Drowning’ is a tragic account of a dead man whose cry for help is mistakenly regarded as a mere greeting.

This piece can be regarded as a social satire. It is about society’s response to a tragedy or any incident. People tend to care but not too deeply. Their response is somewhat cold and superficial.

Nobody heard him, the dead man,

But still he lay moaning:

I was much further out than you thought

And not waving but drowning.

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Part IX: The Merchant’s Tale

by Geoffrey Chaucer

In Part IX, Damian and May enact their long-awaited plans to engage in adultery. Pluto ensures the two are discovered as he restores January’s sight.

Chaucer's use of satire in Part IX of 'The Merchant's Tale' capitalises on the implausibility of the entire situation. This section largely focuses on the satirical depiction of women, characterising their powers of manipulation and persuasion as literally supernatural. May is able to convince January of the most outlandish explanations for her actions, even persuading him that his experience of the situation was incorrect.

Now lat us turne agayn to Januarie,

That in the gardyn with his faire May

Syngeth ful murier than the papejay,

"Yow love I best, and shal, and oother noon."

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Part VII: The Merchant’s Tale

by Geoffrey Chaucer

In Part VII of ‘The Merchant’s Tale’, Chaucer delves deep into symbolism as Damian and May make the final arrangements for their affair.

Satire is at its sharpest in Part VII, as Chaucer ruthlessly exposes the absurdity of marriage and deception. January’s complete blindness—both literal and figurative—becomes a source of irony, while May and Damian’s cunning further ridicules the notion of male dominance. The Merchant’s bitter narration adds another layer of mockery.

Somme clerkes holden that felicitee

Stant in delit, and therfore certeyn he,

This noble Januarie, with al his myght,

In honest wyse, as longeth to a knyght,

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Translating the English, 1989

by Carol Ann Duffy

‘Translating the English, 1989’ is a bold and satirical poem that unpacks how English identity is marketed through clichés, contradictions, and surface-level pride, revealing the deeper problems hidden underneath.

The genre of this poem is satire because Duffy uses a playful, even silly tone to say something serious. The speaker talks proudly about the country, but what they describe includes crime, control, poverty, and broken pride. It is that mix that makes the poem hit hard. By making it sound like a joke, Duffy helps us see the truth hiding underneath. The satire makes us laugh at first, but then it makes us think about what is really going on.

Welcome to my country! We have here Edwina Currie

and The Sun newspaper. Much excitement.

Also the weather has been most improving

even in February. Daffodils. (Wordsworth. Up North.) If you like

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