Tragedy poetry is a genre that focuses on serious, often somber themes and invariably ends in disaster or death for its main characters.
This genre originated in ancient Greek drama but has a place in poetry as well, where it allows poets to explore profound questions about human nature, destiny, and the human condition. Tragedy poetry often involves characters of high rank or status and presents their downfall as a result of fate, a mistake, or a tragic flaw.
These poems compel readers to confront the darker aspects of existence and elicit emotions of pity, fear, and catharsis. They serve as a reminder of the fragility and transient nature of life and provoke deep introspection about mortality, loss, and the complexities of human emotion.
‘The Planners’ by Boey Kim Cheng is a powerful poem about the way that development and the creation of new infrastructure makes the world a less interesting place to live in.
But my heart would not bleed
poetry. Not a single drop
to stain the blueprint
of our past's tomorrow.
‘The Portrait’ by Stanley Kunitz is a sad poem about the speaker’s ill-fated attempt to learn more about their deceased father.
My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
‘Australia 1970’ by Judith Wright speaks on the changing landscape of Australia in the 1970s. It promotes a fierce, wild, and dangerous version of Australia like the animals that have always lived within its boundaries.
Die, wild country, like the eaglehawk,
dangerous till the last breath's gone,
clawing and striking. Die
cursing your captor through a raging eye.
‘Half Hanged Mary’ by Atwood narrates her ancestor Mary Webster’s survival from a witch trial hanging, highlighting her resilience.
Rumour was loose in the air
hunting for some neck to land on.
I was milking the cow,
the barn door open to the sunset
‘The Hands that Signed the Paper’ is a war protest poem that derides the appalling apathy and ruthlessness of the rulers toward ordinary citizens.
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
‘Out, Out—’ by Robert Frost depicts a tragic accident, highlighting the suddenness and brutality of death and the suffering it brings.
The buzz-saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
‘A Poison Tree’ presents the consequences of harboring anger, which becomes a poisonous tree wreaking devastation.
I was angry with my friend;
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
‘Leda and the Swan’ is a standout sonnet by W.B. Yeats, featured in his 1928 collection, The Tower. The poem explores the Greek myth of Leda, seduced by Zeus as a swan, and is considered one of Yeats’ finest works.
A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.
‘The Wreck of the Hesperus’ by Henry Wadsworth Longfellow is a narrative poem about a shipwreck and human vanity.
It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughtèr,
To bear him company.
’10-Year-Old Shot Three Times, but She’s Fine’ tells of the marginalization of the African American community via the lens of a black girl being shot.
Dumbfounded in hospital whites, you are picture-book
itty-bit, floundering in bleach and steel. Braids untwirl
and corkscrew, you squirm, the crater in your shoulder
spews a soft voltage...
‘No Orpheus, No Eurydice’ is a poem that looks at a man’s reaction to a doomed love affair, drawing on images from Greek mythology.
Nipples of bullets, precipices,
Ropes, knives, all
Now would seem as gentle
As the far away kisses
‘Storm Warnings’ by Adrienne Rich draws attention to the turbulence brewing, from the perspective of a worried resident.
This is our sole defense against the season;
These are the things we have learned to do
Who live in troubled regions.
‘Lot’s Wife’ acknowledges the biblical figure’s famous look back as an all-too-human inability to relinquish the past despite the peril.
And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
"It's not too late, you can still look back
In ‘A Little Boy Lost’ Blake critiques oppressive authority, questioning blind adherence and societal complicity.
‘Nought loves another as itself,
Nor venerates another so,
Nor is it possible to Thought
A greater than itself to know:
‘Ultima Ratio Regum’ translates to English as “the last (ultimate) argument of kings,” which is an insinuation of war. In this poem, Spender portrays the effect of war on innocent, insignificant lives.
The guns spell money's ultimate reason
In letters of lead on the spring hillside.
But the boy lying dead under the olive trees
Was too young and too silly