Iambic trimeter consists of three iambs per line, creating a gentle, flowing rhythm of six syllables (da-DUM da-DUM da-DUM). It is often used in ballads and lyrical poems, sometimes alternating with iambic tetrameter. The brevity and musical cadence lend themselves to emotion, storytelling, and reflective or romantic tones.
Through a soft and steady reflection, ‘Moonlight, summer moonlight’ captures a speaker’s quiet admiration for a peaceful summer night, revealing how calm moments in nature can bring deep contentment without needing deeper meaning.
'Tis moonlight, summer moonlight, All soft and still and fair; The solemn hour of midnight Breathes sweet thoughts everywhere,
‘Graveyard Blues’ is a journey of grief, the speaker finding solace among the names of the dead, with their mother’s name becoming a comfort.
It rained the whole time we were laying her down;
Rained from church to grave when we put her down.
The suck of mud at our feet was a hollow sound.
When the preacher called out I held up my hand;
Pope’s ‘Who’s for the Game’ portrays World War I as a thrilling challenge of bravery for one’s nation, urging young men to join the cause.
Who’s for the game, the biggest that’s played,
The red crashing game of a fight?
Who’ll grip and tackle the job unafraid?
And who thinks he’d rather sit tight?
Thomas Hardy’s ‘Ah, Are You Digging on My Grave?’ is a darkly ironic ballad that explores death, the illusion of eternal remembrance.
"Ah, are you digging on my grave,
My loved one? — planting rue?" —
"No: yesterday he went to wed
One of the brightest wealth has bred..."