The Snow is Melting

By Kobayashi Issa

Published: 1814

‘The Snow is Melting’ is a playful and moving haiku that captures the essence of Issa’s poetic beliefs and values.

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Kobayashi Issa

Poet Guide
Kobayashi Issa is considered a one of the best Haiku poets of his time, known for his unique and humorous Haiku writing style.

Unlike many other Haiku poets of his era, Issa employed the tools of satire and humor in his works as a way of connecting with the reader.

Key Poem Information

Central Message icon

Central Message: Every aspect of the world is constantly evolving

Speaker icon

Speaker: An unnamed observer

Poetic form icon

Poetic Form: Haiku

Time period icon

Time Period: 19th Century

This poem brilliantly subverts the readers' expectations of nature, time, and the changes that occur before our eyes.

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Joe Santamaria

Poem Guide by Joe Santamaria

B.A. in English and Related Literature, M.Phil in Irish Literature

This is an incredible Japanese haiku that conflates the human and natural worlds. It shows the changes which occur as seasons end, and the effect it has on people.

Prospective readers could look up images or videos of rural Japan, paying close attention to the ways in which scenes evolve over the course of a year. Japan is one of the most beautiful countries anywhere in the world, and Issa was inspired by its nature, in this poem and others.

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Poem Printables
The Snow is Melting
Kobayashi Issa

The snow is meltingand the village is flooded with children.


Summary

The Snow is Melting‘ describes the period at the end of winter and the changing of the weather in a striking and innovative way.

Like many haiku, the poem’s first line also functions as its title, which immediately establishes the time of year. This is crucial as many haiku relate to a specific moment in the natural cycle. Issa’s poem continues by describing how the melted snow has flooded the village, before subverting the readers’ expectations by highlighting how the flood is a group of children, rather than water.


Expert Commentary

Joe Santamaria

Insights by Joe Santamaria

B.A. in English and Related Literature, M.Phil in Irish Literature

'The Snow is Melting' is without doubt one of my favourite haiku. I absolutely adore the ways in which Issa is able to play with the reader by conflating the presence of children with floodwater. Everything that is brilliant about Issa's poetry, and the haiku form in general, is contained in these three lines. I loved being able to talk more about this haiku and many others in our haiku course, which you can sign up for now!


Context

Kobayashi Issa was one of the four great masters of Japanese haiku, known for his deeply human, often humorous observations of everyday life. He wrote during the late Edo period, a time marked by relative peace and social stability in Japan, which allowed for flourishing artistic expression. Issa’s haiku are known for their accessibility, both because of their language and their subject matter. This poem, like many of his works, captures a small seasonal moment, the end of winter and the joyful return of children outdoors, using natural imagery to suggest renewal and the cyclical nature of life.


Detailed Analysis

The snow is melting

(…)

      with children.

The word snow, in this translation, functions as the haiku’s kigo, which refers to a kind of seasonal anchor which immediately informs the reader about the time of year, or time of day that the poem is taking place in. The first line establishes that the poem is taking place at the end of winter, with everything that connotes, including hope, new life, and potential for the future.

These positive connotations are then challenged by the second line, which implies that the melting snow has caused some kind of disaster. This concern is then eased when Issa describes that the flood refers to a number of children rather than water, returning the poem to its lighter and more playful tone.

The metaphorical flood of children serves several purposes in the poem. Firstly, Spring is the season in which more children are born than any other, both for humans and most animals in the wild. The arrival of Spring also signifies the fact that the harshness of winter is over, meaning the chances of child mortality drop significantly as food becomes more abundant and seasonal illnesses decrease.

Additionally, the mention of the children alongside the melting snow could suggest the poem is engaging with one of haiku’s most enduring thematic preoccupations: impermanence. The melting snow could mirror the fleeting nature of childhood more broadly, which will only be truly appreciated once it is over.


Similar Poetry

Readers who enjoyed ‘The Snow is Melting‘ might want to explore other Kobayashi Issa poems. For example:

  • Everything I Touch‘ – Issa speaks emotionally on what the speaker receives in return when they reach out with tenderness.
  • O Snail‘ – A well-known poem that celebrates nature while also inspiring readers to take their time to overcome great obstacles.

Some other poems that may be of interest include:


FAQs

What themes are presented throughout ‘The Snow is Melting’?

This poem predominantly features nature and its cycles, as it follows the transition from winter into spring as the snow melts. Through this, Issa equally explores the theme of transience: the snow, like everything else, is impermanent. This is mirrored in the behaviour of the children, who also change with the season, reclaiming the world as their playground.

What is the significance of the seasons in ‘The Snow is Melting’?

While the seasons are not explicitly mentioned in this poem, they are certainly alluded to through nature’s cycles. As the “snow” which symbolises winter melts, one can assume this heralds the arrival of spring. This is accompanied by a “flood”of children, highlighting the symbolic significance of spring. It represents youth and life, which is reflected in the children.

Why is ‘The Snow is Melting’ written in the haiku form?

Although this poem form was a favourite of Issa, its use here has particular significance. It provides a suitable accompaniment to the subject matter, as haiku often focus on the small changes within nature.

What is the tone of ‘The Snow is Melting’?

This poem is written in the present tense with a neutral tone from the speaker. However, the overall tone of the poem is celebratory, as the children’s presence in the village functions as a celebration of the coming spring.

Poetry+ Review Corner

The Snow is Melting

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Kobayashi Issa

97
Kobayashi Issa's signature warmth and focus on the ordinary shine through in this haiku. He often celebrated the small, tender moments of rural life, and this poem is a perfect example of that sensitivity. His empathy and Buddhist outlook on impermanence inform the poem’s fleeting joy. This can be observed through the symbolic snow, which becomes the epitome of impermanence. However, this theme is also highlighted through the cyclical nature of not only the seasons, but also human behaviour, as the children emerge from their houses to play.

19th Century

60
Composed in 1814, this haiku reflects the aesthetics and philosophy of the Edo period in Japan. It captures a brief, seasonal image in a time before modern industrialization, grounded in agrarian rhythms. The poem is a time capsule of pre-modern village life.
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Japanese

88
The setting, tone, and seasonal sensibility are all deeply rooted in traditional Japanese culture. The poem reflects Edo-period village life and Japanese aesthetic values like wabi-sabi (beauty in impermanence). Issa’s writing embodies Japan’s poetic and philosophical heritage.
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Celebration

60
In this poem, the children of the village celebrate as the snow begins to thaw, allowing them to leave their homes once more. This heralds the arrival of spring, liberating the children from their arduous journey through winter, as they are trapped indoors. Their joy is almost palpable as they come out of their houses in droves to play with each other once more.
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Nature

76
Nature plays a central role in this haiku as both subject and symbol. The melting snow signals a shift in the season, reflecting nature’s continuous cycle of change. Issa’s portrayal of nature is gentle and celebratory, focusing on its life-giving effects. This compliments the poetic form, which often celebrates nature and its small changes. The first line, which is often used to establish the time in which the poem occurs, is used to position the poem firmly within the changing season of winter to spring.
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New Life

70
The return of children after the snow melts symbolizes nature's rebirth. Their presence represents the renewal that spring brings each year. They are given this new lease on life by the changing weather, with the cold confining them to their homes for months. The children's joy is evident through their singular goal: to play outside again. Issa captures this energy with simple joy and reverence for the rhythms of life.
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Contentment

57
Issa’s tone reflects peaceful acceptance and contentment with the natural flow of life. The poem celebrates a simple moment without desire or complaint. This sense of contentment aligns with Issa’s Buddhist-influenced worldview. The children in the poem are content with being able to return to the outdoors, after being confined inside for so long.
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Enjoyment

66
This poem is heavy with overtones of enjoyment in its three, short lines, as the children of the village set out to enjoy the coming spring. They are overjoyed at the conclusion of winter, which kept them indoors. Their enjoyment is evident as they have "flooded" the village as they play on the thawing ground.
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Excitement

53
Although understated, the poem pulses with excitement as the stillness of winter gives way to playful noise. The village is not only "flooded" with water but with movement and sound. Issa’s minimalist language makes this excitement feel fresh and spontaneous.
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Gratitude

59
The haiku suggests a quiet gratitude for the end of winter and the return of vitality. There’s no overt expression of thanks, but the joyful image of children embodies a sense of appreciation for seasonal change. It is a grateful observation of life’s persistence.
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Change

84
The haiku captures a brief moment of change - the end of winter and the start of something new. Issa focuses on transformation as a natural, even joyful, occurrence. It reflects his deep engagement with the concept of impermanence.
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Childhood

85
Children are central to the image, not only as literal figures but also as symbols of vitality, freedom, and renewal. Their emergence from winter’s silence suggests resilience and innocence. Issa elevates their playfulness as a meaningful part of life’s cycle. Moreover, the melting snow could represent the fleeting experience of youth, which is over before we know it.
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Man vs Nature

62
While not overtly about conflict, the haiku subtly explores humanity's response to nature’s rhythms. The children's reappearance is dictated by seasonal change, showing how human life is shaped by the natural world. Rather than struggle, the tone is one of harmony.
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Mortality

59
Beneath the joy is a quiet awareness of life's cycles, including death and rebirth. The melting snow suggests the passage of time and the inevitability of change. Issa’s gentle tone reflects a Buddhist acceptance of life’s fleeting nature.
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New Beginnings

78
This haiku celebrates a new beginning: the end of winter and the return of active life. It evokes the energy and promise of starting over. For Issa, this moment is not dramatic but deeply meaningful. Issa ties the beginning of a new season to the more abstract notion of a beginning of a new stage of life.
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Seasons

91
The poem features a kigo (season word), with spring indicated by the melting snow and renewed activity. Seasonal transition is not just a backdrop, but the very subject of the poem. It demonstrates the haiku form’s deep connection to the natural calendar. Issa's brilliance lies in his ability to project human experiences onto these natural cycles.
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Snow

86
Snow in this haiku is both literal and symbolic - a covering that melts away to reveal hidden life. Its departure signals a transition, both climatic and emotional. Issa treats the snow’s retreat as a blessing rather than a loss. The melting snow not only signifies the literal end of a season, but the symbolic ending of a period of life.
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Haiku

94
This is a textbook example of haiku: three short lines, a seasonal reference, and a moment of perceptive clarity. Issa distills an entire world into 17 syllables (in the Japanese original). The form’s minimalism heightens the emotional resonance. It is without doubt one of the finest haiku ever written.
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Bildungsroman

51
Although not a bildungsroman in the traditional sense, the poem hints at themes of growing up and the transition from stillness to motion, or from winter’s dormancy to life’s exuberance. The children’s return can be read as a metaphor for reawakening. It lightly gestures at personal development through seasonal change.
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No Rhyme Scheme

59
As this poem is comprised of only three lines, there is no rhyme throughout the poem. This is characteristic of the haiku form, which embraces simplicity and natural flow. As such, rhyme would disrupt this harmonious form. It allows the poem to feel more natural as the children celebrate the coming spring.
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No Regular Meter

45
While this poem has no regular meter, the original Japanese text from which it was translated followed the haiku meter of 5-7-5. However, the absence of meter contributes to the natural flow of this translated version, reflecting the subject matter as Issa details the transition from one season to another.
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Joe Santamaria Poetry Expert

About

Joe has a degree in English and Related Literature from the University of York and a Masters in Irish Literature from Trinity College Dublin. He is an English tutor and counts W.B. Yeats, Louise Glück, and Federico Garcia Lorca among his favourite poets.
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